Plants in Early American Gardens - Italian Parsley

Italian Parsley (Petroselinum crispum var. neapolitanum)

Thomas Jefferson grew the plain-leaf or Italian Parsley as early as 1774 and listed it as Common Parsley in his vegetable garden calendar. This flat-leaf type is considered more flavorful than the curled form also planted by Jefferson. Parsley can be grown as an annual or biennial; if allowed to flower in its second year, parsley will attract butterflies and other beneficial insects.

For more information & the possible availability
Contact The Tho Jefferson Center for Historic Plants or The Shop at Monticello 

South Carolina - Gatehouse

Charles Fraser (1782-1860) The Carolina Art Association Gibbes Museum of Art, Charleston, South Carolina

The watercolors of Charles Fraser allow us feel the South Carolina landscape around us as we learn how it was being groomed & planted. Thanks to South Carolina native Fraser, we have a chance to see, through his eyes, the homes & gardens there as he was growing up. Although he was primarily known his miniature portraits, he also created watercolors of historical sites, homes, & landscapes. He painted while working as a lawyer, historian, writer, & politician. Today, many of Fraser's works are displayed at the Carolina Art Association & the Gibbes Art Gallery in Charleston.

Plants in Early American Gardens - Money Plant

Money Plant (Lunaria annua)

Money Plant, or Honesty, is a self-seeding biennial named for its showiest feature--its 2-foot stalks of silvery, coin-shaped seedpods, which are attractive in dried arrangements. It was among the first European flowers grown in American gardens, and was valued for its seedpods and edible roots. Seeing the small purple flowers on April 25, 1767, Jefferson remarked, "Lunaria still in bloom, an indifferent flower."

For more information & the possible availability
Contact The Tho Jefferson Center for Historic Plants or The Shop at Monticello 

South Carolina - Haystack, Horse, & Cart in the Field

Charles Fraser (1782-1860) The Carolina Art Association Gibbes Museum of Art, Charleston, South Carolina.

The watercolors of Charles Fraser allow us feel the South Carolina landscape around us as we learn how it was being groomed & planted. Thanks to South Carolina native Fraser, we have a chance to see, through his eyes, the homes & gardens there as he was growing up. Although he was primarily known his miniature portraits, he also created watercolors of historical sites, homes, & landscapes. He painted while working as a lawyer, historian, writer, & politician. Today, many of Fraser's works are displayed at the Carolina Art Association & the Gibbes Art Gallery in Charleston.

Plants in Early American Gardens - White Foxglove

White Foxglove (Digitalis purpurea 'Alba')

White Foxglove, a showy biennial bearing spires of white tubular flowers in late spring and early summer, was grown by Williamsburg’s John Custis in 1735. Philadelphia nurseryman Bernard McMahon listed both the pink and white forms in his 1804 broadsheet. Deer-resistant due to toxicity.

For more information & the possible availability
Contact The Tho Jefferson Center for Historic Plants or The Shop at Monticello 

Plants in Early American Gardens - Foxglove

Foxglove (Digitalis purpurea)

Foxglove, a showy biennial bearing spires of deep pink tubular flowers in late spring and early summer, was grown in American gardens by 1735, and likely became more common after its medicinal properties were discovered in the late 18th century. Philadelphia nurseryman Bernard McMahon listed both the pink and white forms in his 1804 broadsheet. Deer-resistant.

For more information & the possible availability
Contact The Tho Jefferson Center for Historic Plants or The Shop at Monticello 

Gardens Display Economic & Cultural Ambitions - Enlightenment...

Gardening for Enlightenment

The end of the 18th century saw increased social stability in the colonies & a climax of a revolution in science, associated with Sir Isaac Newton, that resulted in fundamental changes in man’s attitude toward the world about him. For the enlightened Chesapeake gardener, the garden nourished mind & spirit as well as body. The American pleasure garden became a visual expedient, combining the religious Eden myth with an evolving set of social & political goals, espoused by, among others, Thomas Jefferson & later by J. Hector St. John de Crevecoeur.

These religious & social concepts coincided with revolutionary new ideas about human beings’ conceptual processes that were shaped by John Locke & Joseph Addison. In the 18th century, Locke was interpreted to believe that visual images, such as those of the garden, were the primary conduit through which humans gained knowledge of external reality.

Joseph Addison 1672-1719 wrote of a spectrum of modes of perception, with the gross sensual pleasures at one pole & pure intellect at the other. The garden was an ideal illustration of Addison’s conceptual theory; because it appealed to all of the senses of the human animal, who tended to submerge these instincts, as he became more cerebral. The goal was some balance of the two. Addison stated, “We find the works of nature still more pleasant, the more they resemble those of art.” Nature & the garden were vehicles to sharpen both intellect & spirit. Just after reading Addison’s works, one Chesapeake gentleman wrote to a friend, “The imagination acts intuitively; it seizes at once the sublimest parts as the eye catches objects. Nature, Hills, rocks, woods, precipices, water-falls rush upon the mind.”

Later, Crevecoeur saw the virgin American land filling Everyman’s mind with irresistible aspirations, but he too believed that pure nature was not as inspiring as improved nature. Landscape should be ordered by humans, a collaboration of human vision & toil plus nature’s spontaneous process. “This formerly rude soil has been converted by my father into a pleasant farm,” he wrote, “and in return it has established all our rights.” Crevecoeur saw a direct relationship between ordering the land & gaining political freedom. He theorized that people, like plants, derived their “flavor” from the soil, & he declared that America’s soil was still pure. Crevecoeur believed that in America, with its newly emerging institutions, the relationship between people & the external environment they shaped around them was extremely important.

In his Notes on Virginia, Jefferson stated that the physical attributes of the land were less important than its metaphoric powers. The land was an image in the mind of the new American citizen, representing aesthetic, political, & religious values. In Notes, Jefferson wrote, "Cultivators of the earth are the most virtuous and independant citizens." In the 18th century, the garden was seen by many as an important visual determinant in the actions & responses of people.

Even a clockmaker-innkeeper was aware of the impact of these ideas on his life in the newly emerging nation; among the names William Faris gave the tulips he cultivated were “Sir Isaac Newton,” “The Spectator,” “Jefferson” & “The Farmer.”

Literate citizens of the new nation were looking to the Italian Renaissance & its classical antecedents for artistic & scientific knowledge, as well as for guidance in establishing their new republic. The 1783 catalogue of the circulating library in Annapolis & the 1796 catalogue of the Library Company of Baltimore offered their patrons Renaissance authors, such as Palladio, & their classical predecessors: Virgil, Horace, Pliny, & Columella. Columella believed that agriculture & gardening were “sister to wisdom.”