Plants in Early American Gardens - Texas Bird Pepper

Texas Bird Pepper (Capsicum annuum glabriusculum)

Capt. Samuel Brown sent Jefferson seeds of this dwarf pepper from San Antonio, Texas in 1812-13; stating that the peppers were as “essential to my health as salt itself.” Jefferson grew them at Monticello and also forwarded seeds to Philadelphia nurseryman Bernard McMahon who popularized it as an ornamental pot plant. Texas Bird Pepper is a lush, compact plant covered in early fall with tiny half-inch, reddish-orange, extremely hot peppers.

William Russell Birch (1755-1834) views American Gentlemen's Country Seats in 1808

English landscape artist & designer William Russell Birch (1755-1834) arrived in Philadelphia in 1794, with a letter of introduction from Pennsylvania expatriate artist Benjamin West. After publishing his successful book of engravings, City of Philadelphia in the State of Pennsylvania, North America, as it appeared in the Year 1800, he traveled up & down the Atlantic coast sketching for his 2nd American book of engravings, The Country Seats of the United States published in 1808.

William Birch (1755-1834) was born in Warwickshire, England, Birch spent his early childhood apprenticing as a jeweler after showing little interest in formal education. Ultimately becoming a skilled engraver who was inspired by the work of Joshua Reynolds, he displayed his enamel miniatures at the Royal Academy in 1781 to wide acclaim, receiving a medal from the Society of Arts in 1785. In 1791 several of his engravings were published in a book titled Délices de la Grande Bretagne. 

Birch arrived on the wharf in Philadelphia, with an intimate knowledge the actual appearance of country estates in England as well as the manner in which they had been depicted in British art during the last half of the 18th-century.  He was sure he knew what proper, educated taste was in both architecture & landscape design & wanted to share that insight with a hopefully hungry & appreciative American audience, eager to buy his books.  Country estates in the new republic would not compare with country estates in the motherland, but he would depict them from a viewpoint of looking up at them.  They would sit as small crowns in a natural American landscape owing most of its design to Nature rather than the landscape architect's hand.

In his introduction, Birch wrote, "The comforts and advantages of a Country Residence, after Domestic accomodations are consulted, consist more in the beauty of the situation, than in the massy magnitude of the edifice: the choice ornaments of Architecture are by no means intended to be disparaged, they are on the contrary, not simply desirable, but requisite.  The man of taste will select his situation with skill, and add elegance and animation to the best choice.  In the United States the face of nature is so variegated; Nature has been so sportive and the means so easy of acquiring positions fit to gratify the most refined and rural enjoyment, that labour and expenditure of Art is not so great as in Countries less favoured."  Oh dear, perhaps a little condescending & awkward, and a disappointed Birch found that his 2nd American book did not sell well in the new republic.

Birch’s interest in landscapes, coupled with the success of his publication, brought him commissions to design landscapes for wealthy patrons. He planned several gardens in Delaware and Maryland, of which perhaps the only surviving design is that of the Hampton estate (now the Hampton National Historic Landmark) in Baltimore, Maryland. After Charles Carnan Ridgely inherited the plantation in 1790, he wished to alter the grounds and improve the design of the gardens. Birch, who was touring cities along the Atlantic coast at the time, was hired for this purpose. He made several plans for the improvement of the grounds and the formal gardens, although these were modified by successive owners. Many of Birch’s ideas regarding the estate are, however, evident in the engravings he made of it. Birch’s second publication, The Country Seats of the United States, was met with a tepid response when released in 1808. Following the War of 1812, he reverted to selling his enamel miniatures as a primary means of income. He died in Philadelphia at the age of 79.

William Russell Birch (English artist, 1755-1834) Hoboken in New Jersey Seat of Mr. John Stevens. Country Seats of the United States 1808

William Russell Birch (English artist, 1755-1834) Hampton the Seat of Gen. Charles Ridgley, Maryland.  Country Seats of the United States 1808

William Russell Birch (English artist, 1755-1834) Landsdown the Seat of the late Wm Bingham Esq Pennsylvania.  Country Seats of the United States 1808

William Russell Birch (English artist, 1755-1834) Mount Vernon, Virginia, Seat of the late Genl G. Washington.  Country Seats of the United States 1808.

William Russell Birch (English artist, 1755-1834) Fountain Green Pennsylvania the Seat of Mr. S. Meeker.  Country Seats of the United States 1808.

William Russell Birch (English artist, 1755-1834) Solitude in Pennsylvania belonging to Mr. Penn.  Country Seats of the United States 1808.

William Russell Birch (English artist, 1755-1834) Devon in Pennsylvania the Seat of Mr. Dallas.  Country Seats of the United States 1808.

William Russell Birch (English artist, 1755-1834) Mount Sidney, the Seat of Gen. John Barker.  Pennsylvania. Country Seats of the United States 1808

William Russell Birch (English artist, 1755-1834) Seat of Mr. Duplantier near New Orleans & lately occupied as Head Quarters by Gen. J. Wilkinson.  Country Seats of the United States 1808.

William Russell Birch (English artist, 1755-1834) Montebello Birch General S Smith Balt.  Country Seats of the United States 1808

William Russell Birch (English artist, 1755-1834) Woodlands.  Woodlands the Seat of Mr Wm Hamilton, Pennsylvania. Country Seats of the United States 1808

Plants in Early American Gardens - White Turtlehead

White Turtlehead (Chelone glabra)

This robust, showy North American perennial is found in moist woodland coves and along stream banks from Canada to Alabama. It was introduced into Europe in 1730 and named by Linnaeus. The Quaker botanist John Bartram sent seed of both white and red forms to his British patron, Peter Collinson, in 1750-51. The great naturalist, John Clayton, also sent seed abroad to Philip Miller of the Chelsea Physic Garden as well as to Bartram. By the mid-19th century, American garden writers such as Robert Buist promoted the Turtlehead as a desirable, but little known ornamental plant.

Plants in Early American Gardens - Queen's Tears

 Queen's Tears (Billbergia nutans)

Queen's Tears (Billbergia nutans)

This species is native to Brazil, Uruguay, and Argentina where it grows both as an epiphyte in low trees and as a terrestrial on the forest floor from 2,300 to 3,000 feet elevation. The genus name honors the Swedish botanist, zoologist, and anatomist Gustaf Johan Billberg (1772-1844) who authored the Flora of Sweden. The specific epithet is Latin for nodding, in reference to the way the flowers are held in pendant clusters. The name Friendship Plant refers to the ability to easily propagate and share with friends.

Plants in Early American Gardens - Bare Root Dutchman's Breeches

Bare Root Dutchman's Breeches (Dicentra cucullaria)

This choice native perennial grows in abundance along the alluvial slopes of Monticello mountain, often in association with Virginia Bluebells. It was likely first brought into cultivation during the early nineteenth century. The plant grows from small bulbs and goes dormant quickly after flowering, often spreading seed to increase the colony in future seasons.