Those Pesky Garden Squirrels as Emblems or Pets in Early America

1757 Joseph Badger (1708-1765). Rebecca Orne (later Mrs. Joseph Cabot)

1765 John Singleton Copley (1738-1815). Frances Deering Wentworth (Mrs. Theodore Atkinson, Jr.)

1760s William Williams (1727-1791). Deborah Hall. Detail

1770 Attributed to Cosmo Alexander (1724-1772).

1790 Denison Limner Probably Joseph Steward (1753-1822). Miss Denison of Stonington, Connecticut possibly Matilda.

1798 Ralph Earl(1751-1801). Elizabeth Eliot (Mrs. Gershom Burr)

Besides being obsessed with squirrels attacking my bird-feeders at the moment, I am curious about animals appearing in paintings with 18th century Americans. Are they real? Or are they just an emblems symbolizing some quality trait of their owners?

About those squirrels. Reliable art historians Roland E. Fleischer, Ellen Miles, Deborah Chotner, & Julie Aronson suggest that these squirrels are not real. They are either copied from emblem books such as Emblems for the Improvement and Entertainment of Youth published in London in 1755, or from English prints. The latter theory is supported by the fact that some of the squirrels depicted in the paintings are composites of squirrels found in both America and England.

The 1755 emblem book describes the meaning of the emblem, "A Squirrel taking the Meat out of a Chestnut. Not without Trouble. An Emblem that Nothing that's worth having can be obtained without Trouble and Difficulty" All right, we all know that patience is a virtue, but is there more than meets the eye here, or perhaps less?

In the 19th century New American Cyclopaedia the squirrel is examined in detail. "The cat squirrel, the fox squirrel of the middle states, is...found chiefly in the middle states, rarely in southern New England; it is rather a slow climber, and of inactive habits; it becomes very fat in autumn, when its flesh is excellent, bringing in the New York market 3 times the price of that of the common gray squirrel...They are easily domesticated, and gentle in confinement, and are often kept as pets in wheel cages... The red or Hudson's bay squirrel...is less gentle and less easily tamed than the gray squirrel
Joseph Badger (1708-1765). Portrait of Two Children. 1760

John Singleton Copley (1738-1815). Boy (Henry Pelham) with a Squirrel. 1760

John Singleton Copley (1738-1815). Daniel Crommelin Verplanck with Squirrel 1771.

History Blooms at Monticello - Asparagus Bean

Asparagus Bean (Vigna unguiculata sesquipedalis)

The Asparagus Bean, botanically similar to the black-eyed pea, is a Southern Asia native described by Linnaeus in 1763. First planted at Monticello in 1809, Jefferson wrote his son-in-law, John Wayles Eppes: “It is a very valuable [vegetable], much more tender and delicate than the snap [bean], and may be dressed in any form in which Asparagus may, particularly fried in batter, or chopped to the size of the garden pea, and dressed…in the French way.” Also called yardlong and Chinese long bean, this species is typically harvested when 12-15” but can also be used as a dried bean.

For more information & the possible availability for purchase

Contact The Tho Jefferson Center for Historic Plants or The Shop at Monticello 

Historic Gardens - Mount Clare in Baltimore, Maryland Owned by Charles Carroll the Barrister

Although born the son of a surgeon in Annapolis, Charles Carroll 1723-1783 spent his youth in England receiving a classical education. He did not marry the 21 year old Margaret Tilghman 1743-1817, until he was 40 in 1763. By then, he was working on completing the house and grounds at his country seat near Baltimore.

In 1756, Carroll had begun construction of his summer house Mount Clare. Carroll had chosen to have the house built in the Georgian style of soft pink brick, laid in allheader bond, most of which would have been made on the plantation. A series of grass ramps led from the bowling green down shaded terraces or falls. A sweeping view spread across the lower fields to the waters of the Patapsco River, about one mile away.

The gardens were popular with visitors. In 1770, Virginian Mary Ambler visited and recorded that she, "took a great deal of Pleasure in looking at the bowling Green & also at the...Very large Falling Garden there...the House...stands upon a very High Hill & has a fine view of Petapsico River You step out of the Door into the Bowlg Green from which the Garden Falls & when you stand on the Top of it there is such a Uniformity of Each side as the whole Plantn seems to be laid out like a Garden there is also a Handsome Court Yard on the other side of the House."

When John Adams, in Baltimore for a session of the Continental Congress in February of 1777, spoke highly of Mount Clare. "There is a most beautiful walk from the house down to the water; there is a descent not far from the house; you have a fine garden then you descend a few steps and have another fine garden; you go down a few more and have another."

Mount Clare Entrance Gates, Baltimore, Maryland.

Mount Clare Entrance Facade, Baltimore, Maryland.

Mount Clare Garden Facade, Baltimore, Maryland.

Charles Carroll the Barrister (1723-83) at the Entrance Facade by Charles Willson Peale (1741-1827)

Margaret Tilghman Carroll (1743-1817) at the Garden Facade by Charles Willson Peale (1741-1827)

View of Mount Clare from the Lower Garden area by Charles Willson Peale (1741-1827)

Black & White Apprentice Gardeners from Philadelphia to Charleston

The growth of professional gardening trades in 18th century America spawned a need for apprentices to assist the craftsmen in their daily chores while training to become the professional gardeners of the future.

Apprentice gardeners were young boys sent to live away from home to learn the trade of gardener. They were usually placed by their parents or guardians or by the courts as orphans to serve under master or tradesmen gardeners for a given period.

Under such an arrangement, intended for the mutual benefit of both the gardener and the young student-laborer, the master contracted to supply instruction, & generally food & lodging, or a weekly sum as an equivalent to what those necessities would cost. The parents of the apprentice gardener would agree to that their charge would be of service to the master gardener his apprenticeship as their part of the contract.

The terms of apprenticeship was generally 3 years. But in America, it is apparent that boys as young as 8 were contracted out to gardeners, and they often served longer than 3 years. Custom and laws called for apprenticeship to end at the age when the attained "manhood."

In England, few could expect to attain to the rank either of master-gardener or tradesman, who had not served an apprenticeship to the one or the other. On the American side of the Atlantic, because the trade & gardens were generally less developed, advancement in the field of gardening was more open to those who never served an apprenticeship.

In Philadelphia, market or truck gardener Richard Collings, who kept a covered seed & plant stall at the Jersey Market, adverised in the 1770 Pennsylvania Gazette, "Any person that has a boy that inclines to learn the art and mystery of a Gardiner, my apply." Market or truck gardeners & farmers grew produce to sell at the markets that supplied food for the growing populations of urban dwellers along the Atlantic coast in the 18th century. They grew culinary vegetables & fruits. Some grew only the more common hardy edibles for the kitchen, such as cabbage, pease, & turnips. Others supplied plants for propagation, such as cauliflowers, celery, & artichoke-plants, & pot-herbs, as mint and thyme. The most ambitious market growers grew items in hot-houses, & produced mushrooms, melons, pineapples, & other more exotic fruits over a longer growing season.
Young men who had apprenticed to other trades were sometimes called into garden service during the growing season. In Annapolis, craftsman William Faris used his clockmaking apprentice as garden help on several occasions.

In Maryland, several young boys were employed as apprentices by both professional gardeners & directly by owners of private gardens. In 1788, at age 8, William Lucas was bound out to Joseph Bignall, a professional gardener. Another 8-year-old, William Martin, was apprenticed to Jacob Eichelberger at his private residence in Baltimore County in 1786, to learn the art of gardening.
A lad named Cornelius Lary was bound out by his older sister at the age of 10, as a gardening apprentice to John Toon, who operated Toon’s Garden in Baltimore County. Toon’s Garden was one of several commercial pleasure gardens operating in the Baltimore area at the turn of the century. In the 1800-1801 Baltimore City directory, the 10-acre Toon’s Gardens was described as being “situated about two miles down the [Patapsco] river…on an elevated situation,” & was said to “command a view of the city & bay...During the summer months,” the directory recounted, “a great concourse of citizens make excursions by land & water to these Gardens…with all kinds of refreshments.”

Andrew Smith was a Charleston, South Carolina, gardener in 1795, who advertised to train apprentices in the “art of gardening” in the March 12 edition of the City Gazette and The Daily Advertiser, "THE Subscriber has taken a lease of Widderburn Lodge, formerly called the Grove; he will take in apprentices for three years, to be instructed in the art of gardening and farming in general, to the best advantage; as great improvement will be made on the farm, in the garden, orchard, and in the common field, the sooner they were to enter to work the better. He does not wish any gentleman to send any negro unless of good principles, obedient to orders, and of a good genius. There is good accommodations on the farm for negros of every size and description. Andrew Smith."

Also in Charleston, South Carolina, gardener John Bryant, active in that city between 1795-1810, advertised for an apprentice to help him in 1796. “An Apprentice is wanted to the above business, either white or colored. A Lad that is honest and industrious will meet with every encouragement.”

Occasionally gardeners advertised their need for apprentices through help-wanted notices in local newspapers. When the enterprising William Booth was establishing his nursery, he advertised, on March 2 1795, in the Federal Intelligence & Baltimore Daily Gazette, that he was looking for one or two boys between the ages of 10 & 12 to serve as apprentice gardeners. As ad inducement, Booth noted that in several years such trainees would be capable of managing the gardens of gentlemen’s county seats around Baltimore, which, he declared, were “going to ruin, for the want of a skillful gardener.”

Booth’s ad reflected the post-Revolutionary trends in professional gardening in the 18th-century Mid-Atlantic & South. White indentured & convict servants from the British Isles & black slaves had toiled side by side to design & maintain Mid-Atlantic & South gardens before the war with England.
After the Revolution, growing numbers of immigrant European, Caribbean, & British independent gardeners, assisted by white apprentices & free & slave blacks, took over the work. The American Revolution was the turning point in the development of independent gardening in the newly emerging capitalist nation, However, some aspects of Mid-Atlantic & South gardening did not change until the Civil War.

John Renauld was a gardener who immigrated from Rambouillet, France to Charleston some years after his birth in 1772. His only newspaper notice occurred in the Charleston City Gazette and Daily Advertiser when he lost his young garden apprentice on July 7. 1806. "Strayed, From the subscriber, a small new Negro Boy named JIM; about four feet 5 or 6 inches high; slender make and this vissage; has a scar on the right side of his face- above his eye; had on an oznaburgs shirt and blue cassimere trowsers. Whoever will deliver the said Boy at No. 34 Tradd-street, shall receive a reward of Five Dollars. JOHN RENAULD."

As visiting English agriculturalist Richard Parkinson pointed out about the Chesapeake and the South at the end of the 18th-century, “where the livelihood is got out of the poor soil--it is pinched & screwed out of the negro.”

Plants in Early American Gardens - Bloody Geranium

Bloody Geranium (Geranium sanguineum)

This attractive, clump-forming, Eurasian native is an old favorite in the British cottage garden. John Gerard called it “Bloody Cranes-bill” in his Herbal, 1633 edition, and wrote that it was one of the “wild cranes-bills” that he cultivated. Shirley Hibbert’s The Amateur’s Flower Garden, 1871, also considered this species one of the best. In the 1835 edition of the Horticultural Register, American garden writer J. E. Teschemacher recommended the “bloody geranium” for the rock garden. This plant is not attractive to deer.

For more information & the possible availability for purchase

Contact The Tho Jefferson Center for Historic Plants or The Shop at Monticello