Garden to Table - African Influence on Southern Cuisine

 

The Soul of Food: Slavery’s Influence on Southern Cuisine by Christina Regelski

...The influences for many of the Southern foods we enjoy come directly from colonial & antebellum slave quarters. Southern food, often perceived as the quintessential American cuisine, is actually derived from a complex blend of European, Native American, & African origins that found realization in the hands of enslaved people. While Southern food has evolved from sources & cultures of diverse regions, classes, races, & ethnicities, African & African American slaves have one of the strongest yet least recognized roles. For enslaved people, cooking was about culture & community as much it was about survival. 

...When enslaved people reached North America (5% of Africans who were enslaved in the transatlantic trade were sent to North America), rations were often used as a powerful form of control on many plantations. By supervising food, slave-owners could regularly establish their authority over enslaved people, while also attempting to prove their “generosity” toward their slaves. Slaves’ diets were frequently a primary point of debate between abolitionists & slaveholders, with pro-slavery supporters using rations to “prove” the good quality of life African Americans had under slavery.

James Madison defended slavery by arguing that slaves have better diets than the lower classes in Europe: “They are better fed, better clad, better lodged, & better treated in every respect…With respect to the great article of food particularly it is a common remark among those who have visited Europe, that it [slave diet] includes a much greater proportion of the animal ingredient, than is attainable by the free labourers even in that quarter of the Globe.”

... Pork, along with corn, was the primary ration issued to slaves on many plantations. Though rations could vary widely, slaves typically received an average of three pounds of pork per week. Slaves, however, would usually be issued what was considered to be the lesser cuts of the hog, such as the feet, head, ribs, fatback, or internal organs. To hide the poor flavor of these cuts, enslaved people drew inspiration from traditional African cooking & used a powerful mixture of red pepper mixed with vinegar on their meat. West African cuisine relied heavily on the use of hot spices, & slaves continued this tradition by growing various peppers in their gardens to add to their dishes... 

If barbeque is the heart of Southern cooking, cornbread is the backbone...Introduced to settlers by Native Americans, corn was an early staple for Euro-Americans. Corn, however, had a particularly strong hold in the South. Corn could grow well on less fertile land, which made it an ideal staple for planters who saved the best land for cash crops, such as cotton. Corn was the most common ration for enslaved people in the South.

Since enslaved people ate form of corn at almost every meal, they created a variety of ways to prepare it drawing inspiration from their Native American neighbors. In the seventeenth century, many enslaved Africans may have noticed similarities between their cultures. Historian Jessica B. Harris noted that drawings of Native Americans in North Carolina made by English colonist John White in the sixteenth century depict communal eating from a bowl, which was also a common practice in West Africa. Native Americans shared their expertise of growing & preparing maize with both African & Europeans, including the art of making bread from corn instead of wheat. To prepare this bread, Native Americans created dough from cornmeal & water, covered the dough with leaves, & then placed the covered dough in hot ashes to bake. This recipe & technique is almost identical to the ways many slaves would make breads variously called hoecake, ash-cake, spoonbread, corn pone (the word pone comes from the Algonquian word apan), & cornbread. 

Irene Robertson, a former slave from Arkansas, had the following recipe for bread:“Sift meal add salt & make up with water, put on collard leaf, cover with another collard leaf put on hot ashes. Cover with hot ashes. The bread will be brown, the collard leaves parched up…” 

Polly Colbert, a former slave from Oklahoma, recognized the strong influence that Native Americans had on the large variety of corn recipes her & her family made. Colbert recalled that “we cooked all sorts of Indian dishes: Tom-fuller, pashota, hickory-nut grot, tom-budha, ash-cakes & pound cakes besides vegetables & meat dishes. Corn or corn meal was used in all de Indian dishes.”

Bill Heard, a former slave from Georgia, recalled that “Marse Tom fed all his slaves at de big house; he kept ‘em so regular at wuk dere warn’t no time for ‘em to do their own cookin’.” 

Cornbread was also an easy food to prepare for enslaved children, many of whom remember being fed from a trough like the animals.Robert Shepherd, a former slave from Georgia, remembered dinner of vegetables & cornbread as a child on the plantation & that “Aunt Viney crumbled up dat bread in de trough & poured de veg’tables & pot-likker [water from boiled vegetables] over it.”

Developing from Native American influences in hands of enslaved cooks, cornbread varieties eventually made their way into the cookbooks of plantation households. James Monroe’s family recorded recipes for egg bread & spoon bread that, while they employed similar techniques as ash-cake made by enslaved people & Native Americans, utilized the richer ingredients of milk & butter that planters’ kitchens had access to.  One of George Washington’s favorite breakfast foods was hoecakes drizzled with honey & butter. 

... Today’s greens are typically collards, a leafy cabbage-like vegetable, flavored with hot peppers, pork, & other spices. Inspired by boiled vegetables & one-pot meals common to West African cuisine, slaves often prepared a dish that is extremely similar to modern greens, but with a much more diverse repertoire of vegetables.

Slave would gather & boil various kinds of leafy foods, such as collards, kale, he tops of beets & turnips, or wild weeds. In various instances, slaves boiled greens that were traditional to some Native American cuisines, such as marsh marigold & milkweed.  Slaves would flavor the dish by boiling a piece of pork fat or bacon with the vegetables. Since slaves received such poor cuts of meat, their rations were often more ideal for flavoring foods, rather than serving as a meal itself. Many archaeological excavations at slave quarters turn up small, fragmented animal bones, which suggest that slaves often used their small meat rations in soups or stews. 

 Easter Huff, a former slave from Georgia, remembered greens & cornbread:“Victuals dem days warn’t fancy lak dey is now, but Masrster allus seed dat us had plenty of milk & butter, all kids of greens for bilein’, ‘tatoes & pease & sich lak. Chilluns et cornbread soaked in de pot liquor what de greens or peas done been biled in. Slaves never got much meat.” 

Enslaved cooks who were in charge of preparing meals for the entire community constantly struggled with cooking for so many people with limited ingredients, materials & time. Greens were an ideal food since they could be cooked with little attention, in a single pot. Carol Graham, a former slave from Alabama, noted this challenge: “There were so many black fo’lks to cook fuh that the cookin was done outdoors. Greens was cooked in a big black washpot jus’ like yo’ boils clothes in now. An’ sometimes they would crumble bread in the potlicker an give us spoons an we would stan’ roun’ the pot an’ eat.” 

...Sweet potatoes are hearty vegetables that grow well in less ideal soil, which made them an ideal crop for enslaved people & lower class whites.  Slaves often gardens grew sweet potatoes in their gardens, utilizing skills that African Americans passed down from generation to generation. 

Anthony Taylor, who was enslaved as a young child in Arkansas, remembers learning how to grow potatoes on the plantation after freedom & he continued to raise sweet potatoes in his older age. “We stayed on the old plantation for seven or eight years before we had sense enough or knowed enough to get away from there & git something for ourselves. That is how I come to raise such big potatoes. I been raising them fifty years. There are hill potatoes. You have to know how to raise potatoes to grow ‘em this big." 

Like corn, the prevalence of sweet potatoes in Southern food is a marriage of African & Native American practices. The sweet potato is native to the Americas & was a familiar staple to many Native American nations. Posing a strikingly similar resemblance to the yams of West Africa, enslaved people could apply their traditions & techniques previously reserved for yams to the sweet potato with relative ease.  Sweet potatoes were a flavorful starch that could be easily & quickly cooked. Slaves could roast potatoes in hot ashes while wrapped in leaves, like they would with cornbread or ash-cake, or cook them over the fire with other foods. Nellie Smith, a former slave from Georgia, remembered her grandmother would bake potatoes alongside a roast... 

 One vegetable that is particularly favored as a fried delicacy in the South is okra. Native to Ethopia, okra is one of the many food staples that traversed the Atlantic Ocean from Africa to the Americas & is one of the most prominent food associated with the influence of African culture on the New World.  Even the word okra is derived from the Igbo word for the vegetable, okuru.  Following the forced relocated of enslaved people, okra spread to North America from the Caribbean by the 1700s. In West Africa, okra was often used as a thickening agent for soups & one-pot meals & many slaves grew okra in their gardens.

Through slaves’ influence & the transatlantic trade, okra began to appear in planters’ gardens as well. In the popular 1824 cookbook The Virginia Housewife by Mary Randolph, two stews appear that used okra, including the now-familiar & much loved dish called gumbo. Gumbo is referred to as a “West India Dish” which reflects how the influences for the meal traveled from Africa, to the Caribbean, to North America. The recipes are as follows: 

“Ochra & Tomatos. Take an equal quantity of each, let the ochra be young, slice it, & skin the tomatos; put them into a pan without water, add a lump of butter, an onion chopped fine, some pepper & salt, & stew them one hour.

Gumbo—A West India Dish. Gather young pods of ochra, wash them clean, & put them in a pan with a little water, salt & pepper, stew them till tender, & serve them with melted butter. They are very nutritious, & easy of digestion.” 

Notes: 

Published in Paw Paw, Michigan in 1866, Malinda Russell's A Domestic Cook Book... is the oldest known cookbook authored by an African American. One copy of this rare book was found among the collection of California cookbook author & food writer Helen Evans Brown. This little book precedes Abby Fisher’s 1881 "What Mrs. Fisher Knows About Old Southern Cooking" by 15 years, making it a landmark in African American culinary publishing history. 

African Americans also wrote 2 early household manuals including information on buying, storing, preparing & serving food & drinks: The House Servant's Directory (1827) by Charleston-born to famous New Englander Robert Roberts(1777-1860) & Hotel Keepers, Head Waiters & Housekeepers' Guide (1848) by Tunis G(Gulic) Campbell(1812-1891).

In her cookbook's section “A Short History of the Author,” Malinda Russell, who was born in 1812,  notes that she was born & raised in Tennessee, as a member of “one of the first families set free by Mr. Noddie of Virginia,” Russell set out with a party destined for Liberia at age 19. However, when her money was stolen, she remained in Lynchburg, Virginia & found work as a cook, companion, & nurse. After a brief marriage, she was left widowed with a young son. Russell returned to Tennessee, where she kept a boarding house & later a pastry shop. When she was robbed again in 1864, Russell determined to leave the south “at least for the present, until peace is restored,” & settle in Michigan.  Russell states that she learned her trade from Fanny Steward, “a colored cook, of Virginia, & have since learned many new things in the art of Cooking.” She also notes that she cooks "after the plan of the ‘Virginia Housewife," a reference to Mary Randolph’s cookbook The Virginia House-wife (1824). 

Russell’s own cookbook consists primarily of desserts & baked goods, a logical focus, given her ownership of a pastry shop. Most of her recipes were for elegant deserts, like floating island, puff pastry & rose cake, along with main course dishes like catfish fricassee, Irish potatoes with cod, & sweet onion custard, but a few recipes such as "Sweet Potato Baked Pudding” reflected specifically Southern cuisine. In her book, she also provided recipes for ointments & colognes

Abby Fisher who was born in 1831 was still operating her business in 1890. She initially worked as a plantation cook in Orangeburg, South Carolina. She moved with her family to San Francisco in 1877, where she taught Southern cooking.  "What Mrs. Fisher Knows About Southern Cooking" is a cookbook published in 1881. It contains mostly dishes of English origin, such as roast beef, roast lamb with mint sauce, & plumb pudding, mostly seasoned with salt & pepper or with herbs & spices common in well-to-do English families. "Southern" innovations are found in biscuits (ultimately of British origin), cornbread (of Native American origin), & in a few African-influenced gumbo recipes. Gumbo soups & a simple jambalaya (‘Jumberlie – a Creole Dish’) are Southern as well.

Garden to Table - Early Cookbooks on Google Books for Free

Google Books has these free, digitized books completely searchable. Simply open a book, enter a word in the search window, and the search engine will show you the word’s occurrences in that book.  

18th Century Cookbooks

The Whole Duty of a Woman, (London). First published in 1701. Free editions available on Google Books: 1707, 1737.

A Collection of Above Three Hundred Receipts, Mary Kettilby, (London). First published in 1714. Free editions available on Google Books: 1714, 1734.

The Compleat Confectioner, Mary Eales, (London). First published in 1718. Free editions available on Google Books: 1742, 1767.

The Cook’s and Confectioner’s Dictionary, John Nott, (London). First published in 1723. Free editions available on Google Books: 1723, 1724.

The Country Housewife and Lady’s Director, R. Bradley, (London). First published in 1727. Free editions available on Google Books: 1732, 1736.

The Compleat Housewife, Eliza Smith, (London). First published in 1727. Free editions available on Google Books: 1739.

The Compleat City and Country Cook, Charles Carter, (London). First published in 1732. Free editions available on Google Books: 1732, 1736.

The House-Keeper’s Pocket-Book, Sarah Harrison and Mary Morris, (London). First published in 1733. Free editions available on Google Books: 1739, 1760.

The Complete Family Piece, M.L. Lemery, (London). First published in 1736. Free edition available in Google Books: 1737.

The Art of Cookery Made Plain and Easy, Hannah Glasse, (London). First published in 1747. Free editions available on Google Books: 1774, 1780, 1784, 1805,

The London and Country Cook, Charles Carter (London). First published in 1749. Free editions available on Google Books: 1749.

English Housewifery, Elizabeth Moxon, (London). First published in 1749. Free editions available on Google Books: 1764.

The Art of Confectionary, Edward Lambert, (London). First published in 1750. Free editions available on Google Books: 1761.

The Prudent Housewife, Mrs. Fisher, (London). First published in 1750. Free editions available on Google Books: 25th Edition.

A New and Easy Method of Cookery, Elizabeth Cleland, (Edinburgh). Free editions available on Google Books: 1755.

 A Complete System of Cookery, William Verral, (London). First published in 1759. Free editions available on Google Books: 1759.

The Complete Confectioner, Hannah Glasse & Maria Wilson (London). First published in 1760. Free editions available on Google Books: 1800.

The Experienced English Housekeeper, Elizabeth Raffald, (Manchester). First published in 1769. Free editions available on Google Books: 1769, 1803, 1806.

The Lady’s, Housewife’s, and Cook-maid’s Assistant, E. Taylor, (Berwick Upon Tweed). First published in 1769. Free editions available on Google Books: 1769.

The Professed Cook, B. Clermont, (London). First published in 1769. Free editions available on Google Books: 1812,

The Court and Country Confectioner, Mr. Borella, (London). First published in 1770. Free editions available on Google Books: 1770.

Cookery and Pastry, Susanna MacIver, (Edinburgh, London). First published in 1773. Free editions available on Google Books: 1789.

The Lady’s Assistant, Charlotte Mason (London). First published in 1777. Free editions available on Google Books: 1777, 1787.

The London Art of Cookery, John Farley, (London) First published in 1783. Free editions available on Google Books: 1783, 1785, 1792, 1797, 1800.

The English Art of Cookery, John Briggs, (London). First published in 1788. Free editions available on Google Books: 1788, 1798.

The Complete Confectioner, Frederick Nutt (London). First published in 1789. Free editions available on Google Books: 1790, 1807, 1819.

The Practice of Cookery, Mrs. Frazer, (Edinburg). First published in 1790. Free editions available on Google Books: 1791, 1820.

Every Woman Her Own Housekeeper, John Perkins, (London). First published in 1790. Free editions available on Google Books: 1796.

The Universal Cook, Francis Collingwood and John Woollams, (London). First published in 1792. Free editions available on Google Books: 1792, 1797, 1806.

The New Experienced English Housekeeper, Sarah Martin, (London). First published in 1795. Free editions available on Google Books: 1795.

The Frugal Housewife, Susannah Carter, (Philadelphia). Free editions available on Google Books: 1796, 1822.

The Accomplished Housekeeper, T. Williams, (London). First published in 1797. Free editions available on Google Books: 1797.

Early 19th Century Cookbooks

The Art of Cookery Made Easy and Refined, John Mollard, (London). First published in 1801. Free editions available on Google Books: 1802, 1808.

The New Practice of Cookery, Mrs. Hudson and Mrs. Donat, (Edinburgh). First published in 1804. Free editions available on Google Books: 1804.

Culina Famulatrix Medicinae, Alexander Hunter, (York). First published in 1804. Free editions available on Google Books: 1804.

The Housekeeper’s Instructor, William Henderson (London). First published in 1804. Free editions available on Google Books: 1805.

A Complete System of Cookery, John Simpson, (London). First published in 1806. Free editions available on Google Books: 1806, 1816.

A New System of Domestic Cookery, Maria Eliza Ketelby Rundell, (Exeter). First published in 1807. Free editions available on Google Books: 1808, 1840,

The Female Economist, Mrs. Smith (London). First published in 1810. Free editions available on Google Books: 1810.

Apicus Redivivus; or, The Cook’s Oracle, William Kitchiner (London). First published in 1817. Free editions available on Google books: 1817, 1822, 1823, 1825, 1827, 1836, 1845, 1860,

American Domestic Cookery, Maria Eliza Ketelby Rundell, (New York). Free editions available on Google Books: 1823.

The Art of French Cookery, A.B. Beauvilliers, (London). Free editions available on Google Books: 1827.

Houlston’s Housekeeper’s Assistant, (Wellington, Salop). Free edition available on Google Books: 1828.

The Cook’s Dictionary and Housekeeper’s Directory, Richard Dolby (London). Published in 1830. Free editions on Google Books: 1830.

Seventy-Five Receipts for Pastry, Cakes, and Sweetmeats, Eliza Leslie, (Boston). Free editions available on Google Books: 1830, 1836.

The Cook’s Own Book, N.K.M. Lee, (Boston). Free editions available on Google Books: 1832, 1840, 1842, 1854.

The Complete Economic Cook, Mary Holland, (London). First published in 1836. Free editions available on Google Books: 1837.

A Treatise on Bread and Breadmaking, Sylvester Graham, (Boston). Free editions available on Google Books: 1837.

The Virginia Housewife, Mary Randolph, (Baltimore). First published in 1838. Free editions available on Google Books: 1838.

The Good Housekeeper, Sarah Josepha Buell Hale, (Boston). Free editions available on Google Books: 1839.

Garden to Table - Home-Made Barley Wine

 

John Greenwood (American artist, 1727-1792) Sea Captains Carousing, 1758.  Detail

Old-Time Recipes for Home Made Wines Cordials & Liqueurs 1909 by Helen S. Wright

BARLEY WINE
Take one-half pound of barley and boil it in three waters, and save three pints of the last water, and mix it with one quart of white wine, one-half pint of borage water, as much clary water, a little red rose-water, the juice of five or six lemons, three-quarters pound of fine sugar, the thin yellow rind of a lemon. Brew all these quick together, run it through a strainer, and bottle it up. It is pleasant in hot weather, and very good in fevers.

Old-Time Recipes for Home Made Wines is a cookbook for those who want to make their own wines & liqueurs from available ingredients, including fruits, flowers, vegetables, & shrubs from local gardens, farms, & orchards. It includes ingredients & instructions for making & fermenting spirits, from wine & ale to sherry, brandy, cordials, & even beer. 

Colonial Era Cookbooks

1615, New Booke of Cookerie, John Murrell (London) 

1798, American Cookery, Amelia Simmons (Hartford, CT)

1803, Frugal Housewife, Susannah Carter (New York, NY)

1807, A New System of Domestic Cookery, Maria Eliza Rundell (Boston, MA)

1808, New England Cookery, Lucy Emerson (Montpelier, VT)

Helpful Secondary Sources

America's Founding Food: The Story of New England Cooking/Keith Stavely and Kathleen Fitzgerald Chapel Hill : University of North Carolina Press, 2004.

Colonial Kitchens, Their Furnishings, and Their Gardens/Frances Phipps Hawthorn; 1972

Early American Beverages/John Hull Brown   Rutland, Vt., C. E. Tuttle Co 1996 

Early American Herb Recipes/Alice Cooke Brown  ABC-CLIO  Westport, United States

Food in Colonial and Federal America/Sandra L. Oliver

Home Life in Colonial Days/Alice Morse Earle (Chapter VII: Meat and Drink) New York : Macmillan Co., ©1926.

A Revolution in Eating: How the Quest for Food Shaped America/James E. McWilliams New York : Columbia University Press, 2005.

w Garden to Table - Distillery for Rye, Wheat, Barley & Corn into Whiskey

Geo Washington's (1732-1799) Distillery turned his Rye, Wheat, Barley & Corn into Whiskey

After serving eight years as President, George Washington retired from public life to spend his remaining two-and-a-half-years at his beloved Mount Vernon.  At this time in George Washington’s life, he was actively trying to simplify his farming operations and reduce his expansive land holdings. But always keen to enterprises that might earn him extra income, Washington became intrigued by the profit potential that a distillery might bring in.

In January 1797, Scotsman James Anderson, a newly hired manager, proposed that George Washington begin rye and corn whiskey production. Anderson was raised on his father's farm about 40 miles north of Edinburgh, Scotland, where he managed a farm. In the early 1790s, he moved his family to the United States, where he rented a farm in Fairfax County for 2 years, while he managed farms for other people. He agreed to work as a farm manager for George Washington in October of 1796.

Trusting his farm manager's expertise, Washington ordered a stone still house and a small malt house to be built adjacent to the gristmill on Dogue Creek, about two miles from the Mansion. Construction began in October of 1797 for a stone still house large enough for five stills. The foundation was large river rocks brought from the Falls of the Potomac, and the walls of the distillery were made of sandstone quarried from Mount Vernon.

The still house was furnished with copper stills, boilers, and tubs. Wooden troughs were constructed to channel water from the creek to cool the vapor of the heated mash.  That Washington was willing to commit to distilling by building  a relatively large distilling operation is evidence of his desire to pursue the most innovative and creative farming practices of the day. Despite having no prior experience in distilling, he quickly became acquainted with the process.

Washington's distillery had five copper pot stills, made by George McMunn, an Alexandria coppersmith, which held a total capacity of 616 gallons. Fifty mash tubs, large 120-gallon barrels made of oak, were located at Washington’s distillery in 1799. In Washington’s day, cooking the grain and fermenting the mash all happened in the same container. The boiler, where the hot water would have come from, held 210 gallons. 

Washington attempted to persuade Anderson to choose a site closer to the Mansion in order to keep a closer eye on his new distillery. Washington was later convinced that the distillation process made proximity to water crucial. The busy complex on Dogue Creek included a substantial merchant mill, a distillery, a cooper's shop, the miller's house, and livestock pens, all located on the main road to Alexandria or to points south. Recognizing the area as Mount Vernon's economic center, Anderson requested to relocate his residence to the center of activity.

By the spring of 1798 the distillery was in operation. In 1799—the year of Washington's death—over eighty transactions are noted for a total sale of 10,942 gallons of whiskey, valued at $7,674. In 1799, Washington's distillery produced nearly 11,000 gallons, making it one of the largest whiskey distilleries in America. 

Enslaved distillers Hanson, Peter, Nat, Daniel, James, and Timothy performed the hot and tiring work of making whiskey from a combination of rye, wheat, corn, and malted barley. These men likely slept above the distillery during the busy season.

Alcohol played a large role in the lives of most people in the 1700s. It was drunk at home & during social occasions and used medicinally. It also served as a trading commodity. Washington enjoyed a variety of beverages, among his favorites were old-fashioned elderberry wine & sweet fortified wines like Madeira and Port. He also drank beer, rum punch, porter, and whiskey. 

Customers listed in his records included neighboring farmers, merchants, family, and Mount Vernon overseers. Washington’s whiskey was sold to neighbors and in stores in Alexandria and Richmond, VA. His best customer was his close friend George Gilpin, Alexandria's surveyor, mapmaker, politician, wharf owner, collector of customs, 1st judge of the Orphans Court, harbor master, inspector of tobacco & flour, postmaster & more. Gilpin was also a member of the same Masonic Lodge as Washington and was a pallbearer at Washington's funeral. Gilpin apparently also owned a store in Alexandria, where he sold the whiskey. Other Alexandria merchants also bought large quantities to resell. 

Local farmers purchased or traded grain for whiskey. Many of the people who worked at Mount Vernon also purchased whiskey. The common whiskey cost about 50 cents per gallon. The rectified and fourth distilled whiskey was about $1.00 a gallon, and brandy was a little more. Consumers would pay in cash or sometimes barter goods. Whiskey was also exchanged for services in the case of family physician James Craik and the farm overseers, and for goods such as corn and rye, which would then be converted into more whiskey.

The most common beverage produced at Washington’s distillery was a whiskey made from 60% rye, 35% corn, and 5% malted barley. This rye was distilled twice and sold as common whiskey. Smaller amounts were distilled up to four times, making them more expensive. Some whiskey was rectified (filtered to remove impurities) or flavored with cinnamon or persimmons. Wheat was also distilled when rye was scarce. Apple, peach, and persimmon brandies were produced and also vinegar.

Washington’s whiskey was not bottled or branded. The whiskey coming from the distillery was poured into wooden barrels, usually 31 gallons in size, and shipped to nearby merchants.

Prior to the American Revolution, rum was the distilled beverage of choice. But after the war, whiskey quickly grew to displace rum as America’s favorite distilled beverage. Rum, which required molasses from the British West Indies, was more expensive and less easily acquired than locally grown wheat, rye, and corn. Whiskey was also easier to produce than rum, requiring relatively simple processes and equipment.

Distilleries were very common in early America. In the 1810 census, there were more than 3,600 distilleries operating in the state of Virginia alone. At its time Washington’s distillery was one of the largest whiskey distilleries in the country. It measured 75 x 30 feet (2,250 square feet) while the average distillery was about 20 x 40 feet (800 square feet).

As with his mill, Washington processed the harvests from his own farms but purchased & traded for grain from outside sources as well. Washington was clearly not interested in simply supplying the needs of his plantation community, but considered the enterprise to be a thriving moneymaker. 

The distillery also offered an important subsidiary benefit. Washington’s interest in the distillery operation was further heightened by his knowledge that much of the waste (or slop) from the fermentation process could be fed to his growing number of hogs. Washington created a hog pen near the distillery which held upwards of 150 pigs.

In 1798, Polish visitor Julian Niemcewicz toured the site and noted: "If this distillery produces poison for men, it offers in return the most delicate and the most succulent feed for pigs. They keep 150...of the Guinea type, short feet, hollow backs and so excessively bulky that they can hardly drag their big bellies on the ground. Their venerable and corpulent appearance recalled to me our Dominican convents, like so many priors."

1800 Detail of Painting by Frederick Kemmelmeyer of General George Washington during the 1794 Whiskey Rebellion  

Washington paid tax on the output of his distillery. In the 1790s a federal excise tax was collected from distilleries based upon the capacity of the stills and the number of months they distilled. In 1798, Washington paid a tax of $332 on 616 gallons operating 12 months. This “whiskey tax” was enacted during his presidency, and it immediately raised strong protests from westerners who saw this tax as an unfair assault on their growing source of income. By the middle of 1794, the armed threats and violence against tax collectors sent to secure the revenue came to a head. Under great pressure to deal with this insurrection, Washington called out the militia and led 12,950 men into Western Pennsylvania. Confronted by the Commander in Chief and this sizable military force, the Whiskey Rebellion was put down and the right of the Federal government to tax its population was sustained.

Despite the controversial tax, whiskey proved to be the most profitable of Washington's many business ventures. Anderson remained at the plantation as farm manager until Martha Washington's death in 1802.

All this research plus images & much more is directly from the Mount Vernon website - just click the highlighted acknowledgment above. 

Garden to Table - Brewing Beer in Early America

When Ben Franklin wrote, "Beer is living proof that God loves us and wants us to be happy," he was speaking for many Americans of his day. Beer, and the art of brewing, was one of the first things European settlers needed America in the 17th century.  

The Mayflower landed on Plymouth Rock in the winter of 1620. They’d actually landed on Cape Cod in November & tried to sail south to their intended destination—The Virginia Colony, still 220 miles south—eventually ending up in Plymouth Rock. The choice to land was due in part to treacherous shoals & breakers facing Mayflower Captain Christopher Jones off the cold coast of Cape Cod—but it was also due in large part to a dangerous shortage of beer.

When he became alarmed that his ship's supply of beer was running low, Captain  Jones  decided to land at Plymouth Rock (rather than sailing further south) to "winter" there. It was determined that the passengers & servants should go ashore to  seek out new water (hopefully to make more beer). Captain Jones sent all passengers off the ship into the frigid New England winter on December 19th, 1620. 

The ship's crew remained on the moored vessel, reserving the beer for themselves. One passenger, William Bradford, complained that he & other passengers "were hastened ashore & made to drink water, that the seamen might have the more beer." And even though the pilgrims discovered clean streams ashore, they were suspicious of the New World liquid & not altogether fond of its taste. As one colonist was quick to write, "I dare not prefere it before good beere" 

To the Pilgrims on the Mayflower, beer had become an essential part of daily life. Even the children drank beer. "Ship's beer" as it was known, did not have high alcohol content. Neither did the even weaker "small beer," of which passengers drank a quart per day. Beer was stored on board many seagoing ships; because after being stored for long periods of time, a ship's water would become a contaminated, germy affair. Beer, on the other hand, could be stored & ingested for weeks & months without ill effect, making it the ideal beverage for a lengthy journey — as long as there was enough to go around.

At Plymouth Rock, the Wampanoags reportedly taught them how to ferment alcohol, but not beer. Along the Atlantic coast, hops were scarce. Some settlers did manage to find hops growing in the wild, but their supply was quickly exhausted, leaving them in the same awful situation they were in, when they were dropped off by the sailors here in the first place. 

In Jamestown, Virginia, the situation was even worse. Somehow, the Virginia Company had sent the early settlers to the colony without thinking to bring someone who actually knew how to make beer. The settlers planted a field of barley, put an ad in a 1609 London paper asking for two brewers to sail over; and later in 1609, they finally brewed beer. The remnants of the very first “brewery” in America can be seen at Historic Jamestowne.

The early colonist's desire for beer was both a born-in cultural habit as well as what was then a common-sense approach not to drink strange water and possibly die in any one of a myriad of unappealing ways. Prior to the advent of breweries and taverns in America, beer was brewed at home. 

Early American brewers took malted barley and cracked it by hand. They would then steep, or soak, the grains in boiling water. They called the process mashing. Mashing allowed the brewer to extract the sugars from the barley. Brewers took the mash they had created, which had the consistency of oatmeal, and dumped it into a sawed-off whiskey barrel. The modified tub acted as a sieve, filtering the sugary liquid from the grain. The colonial brewer returned the strained liquid to the boil kettle, or the copper as it was called, for a 2-hour boiling. He added hops, chilled the brew, sprinkled it with yeast, and drained the final product into wooden kegs. The brewer then placed those kegs in a cellar for three weeks to a month.

Brewing did not always turn out well. For some Early American brewers, beer went bad quite often. In a letter dated 1623, George Sandy of the Virginia colony wrote, "It would well please the country to hear he had taken revenge of Dupper for his Stinking [sic] beer, which hath been the death of 200." Like most food or beverage products, beer is not immune to bacterial growth or becoming rank from improper brewing practices.

By the 1700s beer was big business, although recipes differed. Farmers planted fields of barley and hops, beer's chief ingredients, to help keep the liquid flowing. Many people, especially rich gentlemen, built private brew houses, handcrafting most of the equipment from wood (except the copper kettle, of course). Thomas Jefferson and George Washington built breweries on their plantations. In fact, Jefferson's wife brewed 15 gallons of low-alcohol beer every two weeks.

Thomas Jefferson grew hops at Monticello for brewing, and also purchased them in fairly large quantities from others. Jefferson's memorandum books record a handful of purchases by both Jefferson and his wife in the early 1770s, mostly from local slaves. These hops were most likely used for brewing batches of "small beer."

George Washington’s instructions for making Small Beer: 

Take a large Siffer [Sifter] full of Bran Hops to your Taste. Boil these 3 hours. Then strain out 30 Gall[ons] into a cooler, put in 3 Gall[ons] Molasses while the Beer is Scalding hot or rather draw the Molasses into the cooler & St[r]ain the Beer on it while boiling Hot. Let this stand till it is little more than Blood warm. Then put in a quart of Yea[s]t if the Weather is very Cold, cover it over with a Blank[et] & let it Work in the Cooler 24 hours then put it into the Cask — leave the bung open till it is almost don[e] Working — Bottle it that Week it was Brewed. — From a notebook (c. 1757) kept by George Washington

Jefferson also mentions hops in Notes on the State of Virginia, in Query VI, in a list of native esculent plants: "Wild hop - humulus lupulus."1 Regarding his own culture of the plant, Jefferson first lists hops in his "Objects for the garden" in 1794.

In 1812, Jefferson began brewing beer at Monticello on a large scale, and that same year he lists hops in his garden calendar. They also appear on his garden "agenda" for 1813. Despite growing hops, Jefferson continued to record purchases of hops from various other sources until 1820.

Amelia Simmons 1796 American Cookery, the first cookbook written by an American, using ingredients available to Americans, gives a recipe for spruce beer containing hops, water, molasses and “essence of spruce.”   (The essence was produced by boiling the young fresh shoots of the spruce tree and reducing the liquid to a concentrated extract.)  

In 1824, Mary Randolph included a similar recipe for spruce beer in The Virginia Housewife, calling for a handful of hops, and twice as much of the chippings of sassafras root, one gallon of molasses, two spoonfuls of essence of spruce, two of powdered ginger, and one of powdered allspice.

Eliza Leslie's, 1837 Directions for Cookery included recipes for spruce beer, ginger beer, molasses beer  and sassafras beer, (as well as for  fox grape shrub and cherry bounce): Sassafras Beer– Have ready two gallons of soft water; one quart of wheat bran; a large handful of dried apples; half a pint of molasses; a small handful of hops; half a pint of strong fresh yeast; and a piece of sassafras root the size of an egg… Leslie gives instructions for boiling the mixture, straining through a hair sieve, and putting into open jugs to ferment. 

Even up into the later 1800s, some households were producing their own beer. This recipe for beer comes from a community cookbooks, Housekeeping in the Blue Grass compiled by the Southern Presbyterian Church Missionary Society of Paris, Kentucky, in 1875: Beer- Two quarts of wheat bran, two and a half gallons of water, a few hops, one pint of molasses, and one pint of yeast. –Miss Kate Spears.

Spruce and molasses, along with hops and malt, continued to be employed in home brewing well into the 19th century.  Lydia Maria Child, the noted American abolitionist, women’s rights activist, journalist, Indian rights advocate, and successful author, uses all of these ingredients and more in her recipes  from The Frugal Housewife, which was reprinted at least 35 times between 1829 and 1850:

Beer– Beer is a good family drink. A handful of hops, to a pailful of water, and a half-pint of molasses, makes good hop beer. Spruce mixed with hops is pleasanter than hops alone. Boxberry, fever-bush, sweet fern, and horseradish make a good and healthy diet-drink. The winter evergreen, or rheumatism weed, thrown in, is very beneficial to humors. Be careful and not mistake kill-lamb for winter-evergreen ; they resemble each other. Malt mixed with a few hops makes a weak kind of beer ; but it is cool and pleasant ; it needs less molasses than hops alone. The rule is about the same for all beer. Boil the ingredients two or three hours, pour in a half-pint of molasses to a pailful, while the beer is scalding hot. Strain the beer, and when about lukewarm, put a pint lively yeast to a barrel. Leave the bung loose till the beer is done working; you can ascertain this by observing when the froth subsides. If your family be large, and the beer will be drank rapidly, it may as well remain in the barrel; but if your family be small, fill what bottles you have with it; it keeps better bottled. A raw potato or two, cut up and thrown in, while the ingredients are boiling, is said to make beer spirited.

New Yorker John Nicholson wrote about early American beer in The Farmer's Assistant in 1820,

"To make Spruce beer. Boil some spruce boughs with some wheat-bran till the water tastes sufficiently of the spruce; strain the water, and stir in at the rate of 2 quarts of molasses to a half-barrel; work it with the emptyings of beer, or with yeast if you have it. After working sufficiently, bung up the cask, or, which is better, bottle its contents.

"To make Molasses beer. Take 5 pounds of molasses, half a pint of yeast, and a spoonful of powdered ginger; put these into a vessel, and pour on 2 gallons of scalding hot soft water; shake the whole till a fermentation is produced; then add of the same kind of water sufficient to fill up your half barrel...Let the liquor ferment about twelve hours; then bottle it, with a raisin or 2 in each bottle.
"If honey instead of molasses be used, at the rate of about 12 pounds to the barrel, it will make a very fine beverage, after having been bottled a while.

"To make Beer with Hops. Take 5 quarts of wheatbran and three ounces of hops, and boil them 15 minutes in 15 gallons of water; strain the liquor; add 2 quarts of molasses; cool it quickly to about the temperature of new milk, and put it into your half barrel, having the cask completely filled. Leave the bung out for 24 hours, in order that the yeast may be worked off and thrown out; and then the beer will be fit for use. About the 5th day, bottle off what remains in the cask, or it will turn sour, if the weather be warm. If the cask be new, apply yeast, or beer-emptyings, to bring on the fermentation; but, if it has been in this use before, that will not be necessary.

"Yeast, particularly the whiter part, is much fiter to be used for fermenting, than the mere grounds of the beerbarrel ; and the same may be observed, in regard to its use in fermenting dough for bread.
"To recover a cask of stale Small beer. Take some hops and some chalk broken to pieces; put them in a bag, and put them in at the bunghole, and then stop up the cask closely. Let the proportion be 2 ounces of hops and a pound of chalk for a half-barrel.

"To cure a cask of Beer. Mix 2 handsful of beanflour with one handful of salt, and stir it in.

"To feed a cask of Beer. Bake a rye-loaf well nutmeged; cut it in pieces, and put it in a narrow bag with some hops and some wheat, and put the bag into the cask at the bunghole.
"To clarify Beer. For a half-barrel, take about 6 ounces of chalk, burn it, and put it into the cask. This will disturb the liquor and fine it in 24 hours.  It is also recommended, in some cases, to dissolve some loaf-sugar and add to the above ingredients.
"We omit going into any description of the method of making strongbeer, as the necessity for it among Farmers, as a household beverage, seems to be greatly obviated by that of smallbeer, which is much less intoxicating, and by cider, a stronger drink, which is readily afforded from apple-orchards, which are more or less natural to almost every part ot the United States, except a little of its southern border, where the grape can be cultivated to advantage...

"It is indeed true, that many Farmers in Great Britain brew their own strongbeer; but there is but little of that country where apple-orchards are natural...It is an expensive liquor tor the Farmer to make much use of, as it requires 4 bushels of malt to make a barrel, even of common ale, and 8, for a barrel of beer ot the strongest kind."

The Early American Development of The Blush Noissette Rose

Development of The Blush Noissette Rose

Peggy Cornett at Thomas Jefferson's Monticello explans that the history of the rose, the most beloved of flowers and three thousand years in cultivation, is undoubtedly one of the most complex. 

The story of these two parent roses in the hands of Charleston, South Carolina merchant John Champneys is well documented. Champneys grew both in his large plantation garden southwest of Charleston. There the two roses crossed and produced seedlings with very desirable characteristics. Some put this event in 1802 while others maintain it occurred around 1810-11. According to Léonie Bell, "The Champneys rose was noteworthy because it not only repeated from June to November, it did so abundantly. ... The small pink stained flower was no great beauty, nor very double ... but it became a good seed parent." Champneys shared rooted cuttings of his seedling with friends, including William Prince, Jr., who in turn shipped many more from his Long Island nursery to England. In 1818 the Loddiges Nursery near London listed hundred of roses, including one called "champigny."

Champneys shared another batch from his seedling with his neighbor, a Frenchman, named Phillippe Noisette. Both were members of the South Carolina Horticultural Society, of which Champneys was president. According to Léonie Bell, Phillippe Noisette was the son of the head gardener to Louis XVI, and himself an avid horticulturist. He immigrated to the United States to escape the French Revolution, and soon was made superintendent of the South Carolina Medical Society's garden in Charleston. A few years after receiving Champneys rose, Phillippe sent a batch of his own seedlings, which he labeled "blush" rose, to his brother Louis, who had an extensive nursery collection of roses in Paris. Some argue that Champneys was deprived of a certain notoriety once his rose went on to become part of a class called Noisettes. Robert Prince's Manual of Roses, 1846, maintains that notion, stating: "The old Blush Noisette Rose was raised ... by Phillippe Noisette, of Charleston, from seed of the Champney Rose, and this he sent to his brother Louis Noisette of Paris, under the name of the Noisette Rose." Others, including Léonie Bell herself, believe Phillippe Noisette was also experimenting with Champneys' rose, and may have crossed it with a third, repeat-blooming, diploid rose such as "Hume's Blush" Tea-scented China, resulting in his own creation--the 'Blush Noisette'. In any case, once in France and under the expert care of Louis Noisette, dozens of distinct cultivars ensued.

While Thomas Jefferson grew a number of roses--including Gallicas, Sweetbriars, and native roses--the Noisettes were not likely among them. His final mention of roses was for his retreat home, Poplar Forest, in which he noted on November 1, 1816: "planted large roses of difft. kinds in the oval bed in the N. front. dwarf roses in the N.E. oval. ..." Jefferson's long life was ending just as this new breed, the Noisette, was emerging on the scene. He did, however, plant the Noisette's parents. In 1791 Jefferson ordered from the famous William Prince Nursery in Flushing Landing, New York, two each of the Monthly rose (Rosa chinensis cv.) and the Musk rose (R. moschata). The China rose, specifically 'Old Blush' or 'Parson's Pink China', was desired for its long blooming season, so unlike the European varieties, which generally offer only one big show in late spring. The European Musk Rose, as described by Parkinson and Gerard, was valued for its later season of bloom (mid to late summer) and its clusters of highly fragrant, white blossoms.

1764 Plants in 18C Colonial American Gardens - Virginian John Randolph (727-1784) - Lavender

A Treatise on Gardening Written by a native of this State (Virginia)
Author was John Randolph (1727-1784)
Written in Williamsburg, Virginia about 1765
Published by T. Nicolson, Richmond, Virginia. 1793
The only known copy of this booklet is found in the Special Collections of the Wyndham Robertson Library at Hollins University in Roanoke, Virginia.

Lavender

Lavender, Lavendula a lavendo, because good in washings and bathing, as it scents the water and beautifies the flesh, should be propagated from the cuttings or slips, and. planted out in March in a poor gravelly soil. It has been found that this soil suits it best, will give it a more aromatic smell, and that it will resist the winters here better than in a rich soil.

Notes:.
Lavender has been in documented use for over 2,500 years. Lavender was used for mummification & perfume by the Egyptians, Phoenicians, & peoples of Arabia.

Romans used lavender oils for bathing, cooking, & scenting the air, & they most likely gave it the Latin root from which we derive the modern name (either lavare--to wash, or livendula--livid or bluish). The flower's soothing "tonic" qualities, the insect-repellent effects of the strong scent, & the use of the dried plant in smoking mixtures also added to the value of the herb in ancient times.

Lavender is mentioned often in the Bible, not by the name lavender but rather by the name used at that time--spikenard (from the Greek name for lavender, naardus, after the Syrian city Naarda). In the gospel of Luke the writer reports: "Then took Mary a pound of ointment of spikenard, very costly, & anointed the feet of Jesus, & wiped his feet with her hair; & the house was filled with the odor of the ointment."

Perhaps first domesticated by the Arabians, lavender spread across Europe from Greece. Around 600 BC, lavender may have come from the Greek Hyeres Islands into France & is now common in France, Spain, Italy & England. The 'English' lavender varieties were not locally developed in England but rather introduced in the 1600s, right around the time the first lavender plants were making their way to the Americas.

In Medieval & Renaissance Europe, the washing women were known as "lavenders" & they used lavender to scent drawers & dried the laundry on lavender bushes. Also during this time, lavender was grown in so-called "infirmarian's gardens" in monasteries, along with many other medicinal herbs. According to the German nun Hildegard of Bingen, who lived from 1098-1179, lavender "water,"--a decoction of vodka, gin, or brandy mixed with lavender--is great for migraine headaches.

During the Great Plague in London in the 17th century, it was suggested that a bunch of lavender fastened to each wrist would protect the wearer against the deadly disease. Grave-robbers were said to wash in Four Thieves Vinegar, which contained lavender.  In 16th-century France, lavender was also used to resist infection. Glove-makers, who were licensed to perfume their wares with lavender, were said to have escaped cholera at that time.

Charles VI of France demanded lavender-filled pillows wherever he went. Queen Elizabeth I of England required lavender conserve at the royal table. She also wanted fresh lavender flowers available every day of the year, a daunting task for a gardener if you consider the climate of England. Louis XIV also loved lavender & bathed in water scented with it.

In the United States & Canada, the Shakers were the first to grow lavender commercially. They most likely had little use for lavender's amorous qualities (they were celibate), they developed herb farms upon their arrival from England. They produced their own herbs & medicines & sold them to the "outside world."

An apocryphal book of the Bible, reports that Judith anointed herself with perfumes including lavender before seducing Holofernes, the enemy commander. This allowed her to murder him & thus save the City of Jerusalem. The overwhelming power of this seductive scent was also used by Cleopatra to seduce Julius Cesaer & Mark Antony. The Queen of Sheba offered spikenard with frankincense & myrrh to King Solomon,

By Tudor times, lavender brew was being sipped by maidens on St. Lukes day to divine the identity of their true loves. They'd chant, "St. Luke, St. Luke, be kind to me. In my dreams, let me my true love see."  A famous nursery rhyme called "Lavender Blue, Dilly Dilly" was written in 1680 & talks of "Whilst you & I, diddle, diddle…keep the bed warm." mummification & perfume by the Egyptians, Phoenicians, & peoples of Arabia.

Romans used lavender oils for bathing, cooking, & scenting the air, & they most likely gave it the Latin root from which we derive the modern name (either lavare--to wash, or livendula--livid or bluish). The flower's soothing "tonic" qualities, the insect-repellent effects of the strong scent, & the use of the dried plant in smoking mixtures also added to the value of the herb in ancient times.

Lavender is mentioned often in the Bible, not by the name lavender but rather by the name used at that time--spikenard (from the Greek name for lavender, naardus, after the Syrian city Naarda). In the gospel of Luke the writer reports: "Then took Mary a pound of ointment of spikenard, very costly, & anointed the feet of Jesus, & wiped his feet with her hair; & the house was filled with the odor of the ointment."

Perhaps first domesticated by the Arabians, lavender spread across Europe from Greece. Around 600 BC, lavender may have come from the Greek Hyeres Islands into France & is now common in France, Spain, Italy & England. The 'English' lavender varieties were not locally developed in England but rather introduced in the 1600s, right around the time the first lavender plants were making their way to the Americas.

In Medieval & Renaissance Europe, the washing women were known as "lavenders" & they used lavender to scent drawers & dried the laundry on lavender bushes. Also during this time, lavender was grown in so-called "infirmarian's gardens" in monasteries, along with many other medicinal herbs. According to the German nun Hildegard of Bingen, who lived from 1098-1179, lavender "water,"--a decoction of vodka, gin, or brandy mixed with lavender--is great for migraine headaches.

During the Great Plague in London in the 17th century, it was suggested that a bunch of lavender fastened to each wrist would protect the wearer against the deadly disease. Grave-robbers were said to wash in Four Thieves Vinegar, which contained lavender. In 16th-century France, lavender was also used to resist infection. Glove-makers, who were licensed to perfume their wares with lavender, were said to have escaped cholera at that time.

Charles VI of France demanded lavender-filled pillows wherever he went. Queen Elizabeth I of England required lavender conserve at the royal table. She also wanted fresh lavender flowers available every day of the year, a daunting task for a gardener if you consider the climate of England. Louis XIV also loved lavender & bathed in water scented with it.

In the United States & Canada, the Shakers were the first to grow lavender commercially. They most likely had little use for lavender's amorous qualities (they were celibate), they developed herb farms upon their arrival from England. They produced their own herbs & medicines & sold them to the "outside world."

An apocryphal book of the Bible, reports that Judith anointed herself with perfumes including lavender before seducing Holofernes, the enemy commander. This allowed her to murder him & thus save the City of Jerusalem. The seductive scent was also used by Cleopatra to seduce Julius Cesaer & Mark Antony.

By Tudor times, lavender brew was being sipped by maidens on St. Lukes day to divine the identity of their true loves. They'd chant, "St. Luke, St. Luke, be kind to me. In my dreams, let me my true love see." A famous nursery rhyme called "Lavender Blue, Dilly Dilly" was written in 1680 & talks of "Whilst you & I, diddle, diddle…keep the bed warm."

The Oval Flower Beds at Tho Jefferson's (1743-1824) Monticello

The Monticello flower garden is composed of two elements: the twenty oval beds immediately around the house and the winding flower border that defines the West Lawn. Although there were earlier references to the flower "borders," it was not until 1807, when Thomas Jefferson began to anticipate his retirement from the presidency, that the flower gardens began to assume their ultimate shape. He then sketched a plan for the twenty oval-shaped flower beds in the four corners or "angles" of the house. Each bed was planted with a different flower, and most of the seeds and bulbs had been forwarded by Bernard McMahon, a Philadelphia nurseryman, author of The American Gardener's Calendar, and in many ways, Jefferson's gardening mentor.

Oval Flower Bed at Monticello

Although there were later notations concerning plantings in the oval beds in Jefferson's garden book, a remarkable diary detailing a lifetime of horticulture at Monticello, the 1807 plan was the most complete.3 The diversity of flower species represents the scope of his interests. Many of the flowers had been grown for centuries in Europe and were commonly cultivated in early American gardens, such as roses, Sweet William, and the double white-flowering poppy. Others were curiosities, such as the winter cherry, with its lantern-like fruits, and the blackberry lily.

One bed was planted with twinleaf (Jeffersonia diphylla, shown at right), a rare, woodland wildflower that was named in Jefferson's honor in 1792 by Benjamin Barton, a noted early American botanist. Barton's tribute was inspired by Jefferson's "knowledge of natural history ... especially in botany and zoology [which] is equalled by that of few persons in the United-States."4 Other North American natives planted in 1807 included the "Columbian lily" (Fritillaria pudica), collected by the Jefferson-sponsored Lewis and Clark expedition, and the cardinal flower, which could have been found along the Rivanna River at the base of Monticello mountain. Twenty-five percent of the flowers cultivated at Monticello were North American natives, and the gardens became, in part, a museum of New World botanical curiosities.

Tulips, hyacinths, and anemones were among the flowering bulbs planted in 1807. Perhaps because they were so easily shipped long distances, bulbs played a significant role at Monticello. The tulip, for example, was the most commonly mentioned flower in Jefferson's garden book. Many of these bulbs were "florist's flowers," species highly refined through selective breeding by skilled European plantsmen.

Research & images & much more are directly available from the Monticello.org website. 

Garden to Table -

Seeds & Plants - History Blooms at Monticello - Couleur Cardinal Tulip

'Couleur Cardinal' Tulip (Tulipa gesneriana cv.)

This single-flowered, fragrant tulip dates to 1845 and is still widely grown. The short but sturdy stems of ‘Couleur Cardinal’ are typical of early spring flowering types. 

Garden tulips were introduced into Europe from Turkey by the mid 1500’s and their popularity soared in Holland during the “Tulipmania” of 1634-37. Jefferson mentioned tulips more than any other flower in his Garden Book. Planting time.

For more information & the possible availability
Contact The Tho Jefferson Center for Historic Plants or The Shop at Monticello 

Tho Jefferson (1743-1824) & The Nursery & Botanic Garden in New York City

Thomas Jefferson by Tadeusz Andrzej Bonawentura Kosciuszko (1746 - 1817) 

Encounters with America’s Premier Nursery & Botanic Garden

The Prince Nursery of New York City

The year was 1791, and Thomas Jefferson, then Secretary of State under George Washington, was embroiled in various political and personal matters. His ideological vision for America, in conflict with the governmental system espoused by Alexander Hamilton, was causing political relationships to crumble and his already strained friendship with John Adams to deteriorate further. Consequently, Jefferson’s month-long “botanizing excursion” through New England with James Madison in June was the subject of much speculation that summer. Hamilton and other political adversaries were convinced that this lengthy vacation of two Republican Virginians through Federalist strongholds in the North had secret, ulterior motives. It would seem likely that, as Jefferson historian Merrill Peterson surmised, while the two future presidents “bounced along in leisurely fashion, their conversation must have turned occasionally to politics.” Yet, apparently the trip was innocent of intrigue and intended exclusively for, in Madison’s words, “health recreation and curiosity.” This goal was successfully achieved, for both Jefferson’s “periodical” migraines and Madison’s “bilious attacks” vanished in the nearly four weeks they spent walking over historic battlefields, studying botanical curiosities, wildlife and insects (including “musketoes” and the Hessian fly), recording observations on climate, the seasons and the appearance of birds, and even boating and fishing in Lake George and Lake Champlain.

Their journey did, nevertheless, incorporate elements of a working vacation, for Jefferson was seeking ways to advance the new nation through alternative domestic industries. He believed his most recent idea—the addition “to the products of the U. S. of three such articles as oil, sugar, and upland rice”—would lessen America’s reliance on foreign trade, improve the lot of farmers, and ultimately result in the abolition of slavery itself. At that time a Quaker activist and philanthropist Dr. Benjamin Rush of Philadelphia, himself an ardent opponent of slavery, was seeking ways to convince political leaders and slave owners to create a sugar maple industry in America, convinced it would “lessen or destroy the consumption of West Indian sugar, and thus indirectly to destroy negro slavery.” Jefferson took up the cause of Benjamin Rush, becoming a conscientious consumer of maple sugar much in the way that modern environmental activists boycott plantation grown coffee today. In a letter to a friend in England, Jefferson expressed the political and humanitarian benefits of commercial independence when he wrote, “What a blessing to substitute a sugar which requires only the labour of children, for that which it is said renders the slavery of the blacks necessary.”

In their quest for the sugar maple, Jefferson and Madison made a noteworthy visit to the Prince Family Nursery in Flushing on the north shore of Long Island, New York. Established on eight acres of land in the 1730s by Robert Prince—within a community chiefly of French Huguenot settlers—it became America’s first commercial nursery and remained a thriving family business through four generations, until just after the Civil War. Initially called the “Old American Nursery,” it soon became the largest supplier of fruit trees and grapes in the New World, producing most of the grafted apple, pear, and cherry trees that could be found in early northeastern orchards.

Robert’s son William Prince, the nursery’s second proprietor and the one who was in charge at the time of Jefferson’s visit, was the first to propagate the native pecan commercially. In 1771, the nursery’s first broadside advertised 33 different plum trees, 42 pear trees, 24 apple trees and 12 varieties of nectarines. Their offerings expanded and diversified by 1774, when they listed in the New York Mercury, “Carolina Magnolia flower trees, the most beautiful trees that grow in America, and 50 large Catalpa flower trees” along with other flowering trees and shrubs. The Prince Nursery was among the first to introduce Lombardy poplars and, in 1798, they advertised ten thousand trees. The nursery continued its focus on fruits and, according to U. P. Hedrick, “the first planned attempt to improve fruit on a large scale began in the Prince Nursery” with their work on plum seedlings.

Although the American Revolutionary War had led to a seven-year occupation of Long Island by the British, the by-then successful and well-known nursery suffered little, for it was guarded by British General Lord Howe and his troops, who were interested in protecting the property for its contents. Following the war, an excellent demand for American shrubs ensued, as the former enemy soldiers shipped plants home to their gardens in England and Germany.

When William, in his advanced years, divided the operation between his two sons, Benjamin and William, the second William Prince purchased additional acreage nearby and, in 1793, began “The Linnaean Botanic Garden and Nursery.” Named for Carolus Linnaeus, the renowned Swedish botanist and naturalist who a mere half-century earlier had devised the system of plant classification called binomial nomenclature, William Prince’s Linnaean Botanic Garden served to educate the public as well as encourage potential customers by displaying the richness and diversity of the world’s botanical treasures.

As the Prince family nursery passed from father to son, each generation shared a common, underlying goal: to propagate and make available every known plant of merit, including North American species, not so much for profit as from a deep-rooted love of botany and the discipline of horticulture itself. This scientific approach toward the natural world was an attitude in keeping with the essential philosophical tenets also embraced by Jefferson and many of his contemporaries.

William Prince became an active member of the newly created New York Horticultural Society. Through this prestigious organization he was in fellowship with Dr. David Hosack, who established the Elgin Botanic Garden in 1801, the city’s original botanical garden, which now lies directly beneath the present Rockefeller Center. Prince nurseries supplied Dr. Hosack with many of the trees for his 700-acre estate on the Hudson River, Hyde Park.

William’s son, William Robert Prince was the fourth and final generation to oversee the family enterprise. William Robert operated the nursery more as a botanical garden and, as a young man, he accompanied professor John Torrey, of Columbia University, and Thomas Nuttall, of Harvard, on botanical forays and plant collecting expeditions throughout the entire length of the Atlantic States. He would later publish two important books on fruits, A Treatise on the Vine and A Pomological Manual, which became standard references for decades. Likewise, the Prince catalogs from1815 through 1850 became common resources for horticulturists of all sorts. His now rare manuscript, Manual of Roses, published in 1846, two years after Robert Buist’s seminal volume The Rose Manual, firmly established him as a premier authority on roses of the 19th century. But, his unwavering zeal to import white mulberry trees and promote the silkworm industry nearly bankrupted the family business. Although the nursery operations ended after William Robert Prince’s death in 1869, many unusual trees and shrubs flourished on the property and throughout Flushing well into the 20th century. In her book, Old Time Gardens Newly Set Forth, published in 1901, Alice Morse Earle describes the “oldest Chinese magnolias” and the “finest Cedar of Lebanon in the United States” still standing in the forlorn and forgotten garden at the Prince homestead.

Two years prior to Jefferson’s and Madison’s journey to Flushing, two other notable American statesmen paid a visit to the Prince Nursery. In October 1789, when the seat of American government was in New York City, George Washington, accompanied by vice president John Adams, “set off from New York, about nine o’clock in my barge, to visit Mr. Prince’s fruit gardens and shrubberies at Flushing.” Although his assessment would improve upon later visits, President Washington was unimpressed with what he saw during his first, noting “these gardens, except in the number of young fruit trees, did not answer my expectations. The shrubs were trifling and the flowers not numerous.”

Jefferson, on the other hand, certainly saw much that interested him. He began that summer day by making the following entry in his Memorandum Book: “June 15, 1791. Hamstead. breakfd. –went to Prince’s at Flushing.” While at the home of William Prince, Jefferson left a note requesting “all you have” of sugar maples and bush cranberries (Viburnum trilobum) as well as three balsam poplars, six Venetian “sumachs” (Cotinus obovatus), and twelve “Bursé” (Beurré Gris) pears. Later that year Jefferson would receive sixty sugar maple trees, Prince’s entire stock, which were subsequently planted “in a grove” below the Second Roundabout on the northeast slope of Monticello mountain. This became Jefferson’s experiment in sugar production at Monticello. Eventually, it was found that the central Virginia climate was not ideally suited for adequate sap flow in the spring, and Jefferson’s well-intended project proved unsuccessful. While a national commercial sugar industry never took hold, Jefferson continued to advocate the sugar maple on a household level by stating there was no reason why every farmer “should not have a sugar orchard, as well as an apple orchard.”

But, William Prince’s 1791 shipment of plants—which arrived at Monticello in early December, nearly a month after Prince’s November 8 invoice—was substantially larger than the original limited request Jefferson made in June. Jefferson had taken a copy of Prince’s catalog and obviously had studied it thoroughly, for the following month, when in Philadelphia, he wrote an enormous addendum to his original short list, explaining “To [my original order] I must now desire you to add the following; the names of which I take from your catalogue.”

Jefferson expanded his fruit order to include Brignole plums, apricots, Red and Yellow Roman nectarines, Green Nutmeg peaches, Yellow October and Lemon Clingstone peaches, and Spitzenburg apples, as well as Madeira walnuts (Juglans regia) and filberts. The fruits, according to the planting instructions Jefferson prepared at the time he placed the order, were to be planted “in the vacant places” of his South orchard, while the Madeira walnuts were to be “among the trees on the S.W. slope…towards the grove,” and the filberts were for the “room of the square of figs.” He enhanced his selection of native and ornamental trees and shrubs with an eclectic collection, intended primarily for planting either in the various clumps of trees on the slopes of the mountain or for the “vacancies of the 4 clumps at the corners of the house.” These included three types of conifers: “Hemlock spruce” (Tsuga canadensis), “large silver” (Abies alba), and “balm of Gilead” or balsam fir (Abies balsamina), as well as balsam poplars, “Carolina kidney bean trees with purple flowers” (native wisteria, Wisteria frutescens), “Balsam of Peru” (Myroxylon balsaminum), Rhododendrons, and cuttings of yellow, or golden willows. The “monthly honeysuckles” (possibly the native Lonicera sempervirens) were for the base of weeping willows.

And finally, quite significantly, Jefferson went through Prince’s entire inventory of roses and specified three each of all ten varieties the nursery had to offer that year. In fact, this extensive assortment of rose varieties has proved to be the richest and most comprehensive documentation of Jefferson roses presently known.  These thirty shrubs were to be planted around the clumps of lilacs at the East Front of the house.

The quantity and diversity of trees and shrubs Jefferson purchased from Prince in 1791 vividly exemplified the evolution and complexity of his long-ranging aspirations for Monticello.

Jefferson’s subsequent associations with the Prince Nursery were few and indirect. A notable connection occurred years after the Jefferson inspired Lewis and Clark Expedition, when the Prince nurseries played a leading role in making commercially available one of the expedition’s most ornamental species, the Oregon grapeholly (Mahonia aquifolium). According to Stephen Spongberg in A Reunion of Trees, the demand for this novel shrub was staggering. “By 1825, when the plant had become widely known up and down the Atlantic seaboard, the Prince Nursery firm…listed plants in their catalogue at twenty-five dollars each, in today’s currency doubtless equivalent to several hundreds of dollars!”

A final occasion connecting Jefferson with Prince was in a more intellectual way, as part of a poignant tribute made during Jefferson’s later years. In 1823 Dr. Samuel Latham Mitchill, Jefferson’s former lieutenant in Congress and fellow enthusiast for newly discovered inventions and natural productions, sent Jefferson an unusual invitation. Mitchill proposed that, as honorary members of the Linnaean Society of Paris, the two should simultaneously observe the May 24th birthday of Carolus Linnaeus, the man who united “all nations under one language in natural history.” Mitchill planned to celebrate at Prince’s garden in Flushing, New York, and promised to think of Jefferson on the occasion, knowing that he would “not disapprove of an attempt to render science popular and attractive.” Although not known for certain, it is likely that Prince family members were among those gathered to raise a toast to Linnaeus. Jefferson assured Mitchill that he likewise would be with them in spirit from his Bedford, Virginia retreat Poplar Forest, where he planned to invite “some amateurs in natural science in [the] neighborhood to fraternize on the same day with their brethren of New York by corresponding libations to the great apostle of Nature.” Unbeknownst to Jefferson, this commemoration would be on the final day of his final stay at Poplar Forest.

By Peggy Cornett, Thomas Jefferson Center for Historic Plants.

Research & images & much more are directly available from the Monticello.org website. 

Garden to Table -

Peter Jakob Horemans (1700-1776)  Gentleman enjoying Table of Fruit & Vegetables with a sip of Wine     Detail

Garden Design - 18C Garden Furniture from England to the British American colonies

As the British American colonies became more secure & furniture became more plentiful in the early 18th century, colonists often moved routine daily chores outdoors as soon as the weather allowed. Preparing vegetables & fruits; churning butter; washing, spinning & sewing; studying schoolwork; and practicing musical instruments all became outdoor activities during the hot, humid summers along the shores of the Atlantic.

In England. Household chairs and tables are carried outdoors.  1738 William Hogarth, (English artist, 1697-1764) The Hervey Converstion Piece - The Holland House Group

Traditionally the formal pleasure gardens of the British gentry, living in servant-laden households, had served as pleasure grounds for promenading, playing at games & sport, meditating, romancing, or entertaining.  It is clear from English paintings, that even the gentry were using their household furniture outdoors.

In England. Here the wife sits on a garden bench.  1763 Arthur Devis (English artist, 1712-1787) Francis Vincent, his Wife Mercy, and Daughter Ann, of Weddington Hall, Warwickshire. Detail
18th Century English Woodcut

By mid-century, the up-to-date colonial gardener knew that the latest taste dictated placing seats & benches to emphasize a focal point in the garden; to terminate an impressive vista on the property; to view the garden or an impressive vista; or to catch a cooling breeze under trees or by the water. As early as 1669, English garden writer John Worlidge had instructed his readers in Systema Agriculturae that proper garden seats should be placed "at the ends of your walks...that whilst you sit in them you will have the view of your garden."

In England. Here the gentleman sits on a bench which is clearly placed at a focal point in his garden.  1749 Arthur Devis (English artist, 1712-1787) The Thomas Cave Family

In his 1718 garden writings, Stephen Switzer, Iconographia Rustica or the Nobleman, Gentleman and Gardeners' Recreation makes a direct reference to the Windsor chair. By 1730, a London newspaper advertisement offered for sale "All sorts of Windsor Garden Chairs."
Like their less wealthy neighbors, colonial gentry usually carted common chairs outside, whenever the weather permitted. Gardens & yards served as welcome extensions of cramped indoor living spaces. Small, close living quarters were the rule in the colonies, even for the rich in the first decades of the 18C, and this encouraged a variety of sedentary outdoor leisure activities across all classes such as doing chores, chatting, reading, gambling, & eating.

In America. Scenes from a Seminary for Young Ladies. St. Louis Art Museum.

Colonials needed something to sit on & something to put things on, indoors & out. Common household furniture including chairs, benches, & tables regularly found their way outdoors. Most British American colonials looked for some balance between the functional & the ornamental. The ordered, geometric gardens of the gentry in the colonies were a combination of ornament & function. Most colonists, even the wealthy Charles Carroll in Annapolis, grew edible plants in their formal terraced garden parterres.

In England. Here the lady of the family sits in a Windsor type chair.  1749 Arthur Devis (English artist, 1712-1787) Mr and Mrs Van Harthals and Son

As the consumer revolution reached full-tilt mid-century, British American colonial gentry occasionally ordered special garden furniture from local craftsmen or from English factors. Garden furniture was part of the competitive furniture trade in England. Most furniture designers offered a few examples in their style books. Although Thomas Chippendale's furniture stylebook was the most influential of the period, enraver & London furniture designer Matthew Darly, who flourished between 1754 & 1778, seemed to have led the way toward this new design.

In England. This tables & chairs sit far from the house in this painting.  1750 Arthur Devis (English artist, 1712-1787) Henry Fiennes Clinton,9th Earl of Lincoln, with his wife Catherine and his son George on the great terrace at Oatlands

Always searching for the latest trend in the mid 1700s, British tastemakers were drawn to rustic or "forest" furniture style for their new natural gardens. No more of the stiff classic benches dotting those old-fashioned Dutch influenced William & Mary English formal gardens.
The 1761 3rd edition of Thomas Chippendale's The Gentleman and Cabinet-Maker's Director, contained a single plate called "Designs for Garden Seats," engraved by Matthew Darly, of rococo French chair with a possible rustic leg, a gothic French settee, & a "grotto chair." Matthew Darly was a London printseller, furniture designer, and engraver who owned a very successful print shop with his wife Mary.

In England. Just throw the fish on the table!  1773 Edward Smith (English artist) An Angling Party (perhaps The Willyams Family at Carnanton)

Even though English garden designers would soon be rebelling against the French & Dutch formal influence in the gardens of the gentry, Chippendale & Darly were introducing a fairly formal serpentine & rococo into the garden with these design patterns. Matthew (also called Mathias) Darly earlier had designed "root chairs and tables," whimsical garden furniture to be made out of gnarled roots, for Edwards & Darly's, A New Book of Chinese Designs published in 1754.
In his 1765 design book The Cabinet and Chair-maker's Real Friend and Companion, English furniture designer Robert Manwaring described his garden seat designs, "designs given for rural Chairs for Summerhouses finely ornamented with Carvings, Fountains, and beautiful Landscapes, with the Shepherd and his flock, reaper, etc. Also, some very beautiful designs, supposed to be executed with Limbs of Yew, Apple, or Pear Trees, ornamented with Leaves and Blossoms, which if properly painted will appear like Native."
Manwaring's 1765 Rural Garden Seat design included classical busts as finials on the back posts. The basic Gothic design incorporated many of painter William Hogarth's serpentine curves. Hogarth had published a treatise on esthetics in 1753, The Analysis of Beauty, which promoted the serpentine curve as the true "line of beauty."
An 1735 inventory of Andrew Allen at Goose Creek, South Carolina did record "an Old Forest Chair." It is not clear whether this refers to one of the simple outdoor chairs which were known in England as forest chairs, or whether "forest" referred to the (beech) forests of the English the Chilterns where many of them were produced or to the shades of green in which they were painted.  There were also a few less practical "designer" forest garden chairs available in Britain.

1786 Unknown artist. John Coakley Lettsom (1733–1810), with His Family on an ornamental Garden Bench, in the Garden of Grove Hill, Camberwell
One of Matthew Darly's root designs.

Life in the colonies was difficult, where many grew old & infirm quickly. For those who could not yet walk or no longer stroll & strut around their grounds, there was the "garden machine" or "rolling chair." A depiction of a "Garden Machine" appeared at the top of a trade card in late 18th century London, which also advertised "all Sorts of Yew Tree, Gothic, and Windsor Chairs."

In the last quarter of the century, 2 South Carolina inventories each boasted "1 Mahogany Roling Chair." Focusing on the special needs of the elderly & the infirm, Charleston cabinetmaker Thomas Elfe advertised in 1751, that he made "All kinds of Machine Chairs...for sickly or weak people."

In America.  This is a rolling chair built for a child.  1751 John Hesselius (1728-1778). The Grymes Children- Lucy Ludwell Grymes 1743-1830, Philip Ludwell Grymes 1746-1805, John Randolph Grymes 1747-96, & Charles Grimes 1748-?  They were the children of Phillip Grymes and his wife Mary Randolph who were born at "Brandon" on the Rappahannock River in Middlesex County, Virginia. In the year following this painting, another daughter, Susanna Grymes was born into the family. Similar rolling chairs & variations which appear to be a cross between a carriage or wagon & a rolling chair are found in British paintings.

In England.  1747 Arthur Devis (English artist, 1712-1787) Richard, Mary, and Peter, Children of Peter and Mary du Cane Detail

In 1752, a South Carolinian offered his plantation on the Ashley River for sale including "several handsome garden benches." Many garden seats appear in colonial inventories with no specific description, making identification of the style of garden furniture impossible.

In England. Here both mother & father have Windsor chairs. 1751 Arthur Devis (English artist, 1712-1787) The James Family

Two 1755 Charleston inventories of record each of the deceased owning 2 "garden chairs." In 1767, Charleston turner John Biggard specifically advertised that he could produce both "Windsor and Garden chairs." The difference is not spelled out, and without a sketch, it is difficult to know the particularity of each.

In America.  Scenes from a Young Ladies Seminary. St. Louis Art Museum.

After the Revolution, gardening burgeoned into a democratic pursuit, needing to satisfy both the functional & the ornamental goals of the new nation. Lightweight, orderly, simple Windsor chairs--that could be used indoors or out--seemed to fill the bill & appealed to all levels of society in the new republic. Sensible, airy Windsor chairs, painted or stained, became the most popular garden furniture in America.
Green windsor garden chairs had been popular in the South well before the Revolution. At first, merchants offered imported chairs to their stylish customers. In the 1764 Charleston inventory of John McQueen was "1 Windsor Garden Seat." In 1766, Charleston merchants Sneed & White offered "Windsor Chairs ... and settees ... walnut ... fit for piazzas or gardens," imported Philadelphia.
18th Century English Woodcut

Aiming to cut out transportation costs & the middlemen, Philadelphia turner John Biggard moved to South Carolina in 1767, opening a "turner shop" advertising "Windsor and Garden chairs... cheaper than could be imported."
One 1775 Charleston inventory revealed 2 specialized windsors, "In the Passage...2 green Garden Windsor Chairs...2 Children do (garden Windsor Chairs)."  Most inventories noted that the Windsor chairs were painted green. The 1783 South Carolina inventory of Benjamin Cattell listed 12 green Windsor chairs.

In England.  Here the Windsor chairs are brought out to the statue in the garden.  1763 Johann Zoffany (German-born English painter, 1733-1810) The Mathew Family at Felix Hall, Kelvedon, Essex

A year later, inventory takers noted 12 green Windsor chairs in another Charleston entrance hall lined up like soldiers ready to see if their next engagement would be indoors or out. Charleston's leading professional gardener John Watson's 1789 inventory listed green Windsor chairs in his seed sales room plus garden tools & books. On his piazza, he had 4 out-of-the-ordinary teal benches & one normal green bench.
Outdoor Windsors were often painted green to blend with nature. Englishman Uvedale Price wrote in his "Essays on the Picturesque" that white seats created unnatural spots in their green surroundings.

In England. In this group portrait, the gentlemen have taken a variety of household furniture outdoors.  1780 Johann Zoffany (German-born English painter, 1733-1810) A Group of Gentlemen

Thomas Dobson's first American edition of his Encyclopedia or Dictionary of Arts and Science in Philadelphia in 1798, recommended, "To paint arbours and all kinds of garden work, give a layer of white ceruse grinded in oil of walnuts...then give two layers of green...This green is of great service in the country for doors, window shutters, arbours, gardens seats, rails either of wood or iron; and in short for all works exposed to the injuries of the weather."
Charleston wasn't the only city with a local suppy of windsor chairs. In New York City, Andrew Gautier advertised in the 1765 New York Journal, "a large and neat assortment of Windsor Chairs, made in the best and neatest manner, and well painted. Chairs and settees fit for piazza or garden."

In America. Detail 1772 William Williams (American artist, 1727-1791). The William Denning Family

Marylander John H. Chandless advertised in the 1792, Baltimore Daily Repository "a large assortment of Windsor Chairs, of the newest fashions and painted in the best manner...Chairs, Settees, Garden Seats & Made and painted to particular directions." During the last decade of the 18C Baltimore furniture makers were arguably the best in the United States.

A rare surviving wooden bench is the late 18C “Almodington Bench,” a diagonally slatted back design of yellow pine which was originally made for the Somerset County Maryland, plantation named “Almodington.” This is the oldest known piece of American garden furniture, which is now in the collection of the Museum of Southern Decorative Arts at Old Salem in Winston Salem, North Carolina.
In America. This appears to be a small bench rather than a Windsor chair.  1793 James Peale (American artist, 1749-1831). The Ramsey-Polk Family in Cecil County, Maryland.

In the Virginia, inventories often listed "green chairs in the passage," meant to be used indoors & out. George Washington purchased 27 windsor side chairs for his piazza at Mount Vernon from Philadelphia Chairmakers Robert & Gilbert Gaw in 1796. The 1800 inventory of Mount Vernon recorded "in the Piazza...30 Windsor Chairs."
Virginian John Randolph's Tagewell Hall included "5 green windsor chairs and one green settee belonging to my summer house." Mary Page of Spotsylvania County, Virginia ordered "one dozen Windsor Chairs for a passage."

In eastern North Carolina, David Stone's Hope Plantation contained 12 Windsors in the hall passageway running from the front door to the back door, a design encouraging both air circulation & the moving of chairs in & out of doors.
Wooden chairs aged a little faster outdoors. In the Fayetteville North Carolina Minerva in 1796, Vosburgh & Childs advertised that they could make, paint, & repair Windsor chairs, probably the victims of a little rain and humidity now & again. Hall's North Carolina Wilmington Gazette on February 9, 1797, advertised "Windsor Chairs of every description...elegant settees of ten feet in length or under, suitable to either halls or piazzas...garden chairs suitable to arbors." A premature war between the North & the South was on as the ad noted, "those that are imported...are always unavoidably rubbed and bruised."

In America.  Here the ladies sit on rather delicate chairs, while they gather around the pond to watch the gentlemen fish.  1770 Henry Benbridge (American colonial era artist, 1743-1812). The Tannatt Family

While in Wilmington, North Carolina, Eliza Clitherall recorded seats under trees in the more shady recesses of the Big Garden. William D. Martin recorded in his journal while visiting a "Girls Boarding School Pleasure Garden in Salem, North Carolina," Next I visited a flower garden...situated on a hill, ...At the bottom of this terrace were arranged circular seats, which, form the height of the hill in the rear were protected from the sun."
18th century English Woodcut.

In 1801, Virginian Thomas Jefferson designed "benches for Porticos & Terraces...the back Chinese railing...to be painted green." Jefferson also noted "the seats at Washington by Lenox are 8 ft. long 21 I high, & the seat is 15 I broad, of five laths 2½ I wide." Peter Lenox (1771-1832) was the head carpenter, foreman, & clerk at the President's House in Washington, District of Columbia.
In America. c 1796. Charles Fraser (1782-1860) Detail of Settee on a Hill at Rice Hope Plantation Taken from One of the Rice Fields. South Carolina.

Not all gardeners relied on the simple Windsor chair for their gardens. A grey garden bench appears in the 1771 Charles Wilson Peale painting of the Edward Lloyd family of Wye House in Talbot County, Maryland. The bench had rolled arms & a latticed back. Peale wrote in his autobiography that in Pennsylvania, "The proprietor [Peale himself] made summer houses (so called), roots to ward off the Sunbeams with seats of rest. One made of the Chinese taste, dedicated to meditation, with the following sentiments within it. "Mediate on the Creation of Worlds, which perform their evolutions in prescribed periods!"
In America.  1771 Charles Willson Peale (1741-1827) Edward Lloyd Family wife Elizabeth Tayloe and dau Anne.

For those not satisfied with ordinary wood furniture, both English & local craftsmen also fashioned cast iron garden furniture including chairs, benches, & tables during the early federal period. Weight would have been a consideration in importing them from England. The Robert Wood foundry in Philadelphia produced cast iron garden furniture between 1804 -1858.

In America.  Here the American grandmother is clearly sitting in a Windsor chair.  1787 Henry Benbridge (American artist, 1743-1812). The Hartley Family.

Henry Benbridge painted stone garden seats in paintings of a Charleston family; the Enoch Edwards family of Philadelphia, Pennsylvania; and the Taylor family of Norfolk, Virginia, during the last 2 decades of the 18C. 

In America. 1779 Henry Benbridge (American artist, 1743-1812). The Enoch Edwards Family.

Whether these stone benches were real or fanciful is unclear. What is clear is that the dark green Windsor chair was the most enduring piece of garden furniture in practical 18C America. The use of everyday chairs for garden events continued into the 19C & early 20C.
In 19C America. Photo Maryland Historical Society

To follow the development, diversification, & distribution of Windsor Chairs see any of these books by Nancy Goyne Evans, (2005) Windsor-Chair Making in America: From Craft Shop to Consumer; (1997) American Windsor Furniture: Specialized Forms; and (1996) American Windsor Chairs.