Garden History - Location--View

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The view was the overall appearance of the landscape surrounding a house or a garden. It was one of the most important considerations when chosing a site for a dwelling in the 18th century, as we learned in the earlier posting Location, Location, Location...

We have seen in earlier postings that the words command and view were often used together, see Location--Commanding Views and Prospects. Here are a few more references to the term view as it visually connects the overall relationship between a dwelling or garden with the topography around it.

The Garden Facade of Mount Clare near Baltimore, Maryland. It faces downhill toward the Patapsco River which emptys into Baltimore Harbor.
Virginian Mary Ambler visited Mount Clare, the home of Charles Carroll and Margaret Tilghman Carroll in Baltimore, Maryland, in 1770, writing, The House where this Gentn & his Lady reside in the Sumer stands upon a very High Hill & has a fine view of Petapsico River You step out of the Door into the Bowlg Green from which the Garden Falls & when You stand on the Top of it there is such a Uniformity of Each side as the whole Plantn seems to be laid out like a Garden.
Margaret Tilghman Carroll at the Garden Facade of Mount Clare by Charles Willson Peale.

In 1771, the public commercial grounds called Vauxhall Gardens in New York City was mentioned in the New York Gazette and Weekly Mercury, The Commodious house and large gardens...known by the name of VAUXHALL...having a very extensive view both up and down the North River.
New York City's Vauxhall Gardens.
English officer Lt. John Enys visited Boston, Massachusettes, in 1787, noting that, After Dinner we took a walk on the Mall...From hence we went to Beacon Hill from whence we had a Charming View of the town and harbour...there are a number of houses situated on Beacon hill which stand high...That of Governor Hancock stands the most conspicuous just at the top of the common with a full view of the Mall before it besides its distant views of the harbour and adjacent country.

1768 Sidney L. Smith after Christian Remick A Prospective View of Part of the Commons 1902 after a drawing from 1768 Engraving Concord Museum MA

In 1787, a visitor to New Bern, North Carolina, reported that the Governor's "palace is situated with one front to the River Trent and near the Bank, and commands a pleasing view of the Water."

When he visited in January, 1788, Governor John Eager Howard's Belvedere at Baltimore, Maryland, The Seat of Colol. Howard which ...has a charming view of the Water fall at a Mill, a long Rapid below it, a full View of the town of Baltimore and the Point with the shipping in the harbour, the Bason and all the Small craft.

1796 George Beck Detail of The View of Baltimore from Governor John Eager Howard's Garden Park. Maryland Historical Society, Baltimore.

Englishman Thomas Twining visited Governor John Eager Howard's Belvedere in Baltimore, Maryland, in 1788, I walked this morning to breakfast with Colonel Howard at Belvidere... Situated upon the verge of the descent upon which Baltimore stands, its grounds formed a beautiful slant towards the Chesapeake...The spot, thus indebted to nature and judiciously embellished, was as enchanting with in its own proper limits as in the fine view which extended far beyond them. The foreground presented luxurious shrubberies and sloping lawns: the distance, the line of the Patapsco and the country bordering on Chesapeak Bay. Both the perfections of the landscape, its near and distant scenery, were united in the view from the bow-window of the noble room in which breakfast was prepared, with the desire, I believe, of gratifying me with this exquisite prospect.

Six years later, visitors were still impressed with the view from Governor Howard's property in Baltimore, Maryland. Moreau de St. Mery wrote of Governor John Eager Howard's Belvedere in 1794, Its elevated situation; its grove of trees; the view from it, which brings back memories of European scenes; all these things together fill every true Frencman with pleasure and regret.
In 1789, Geographer Jedidiah Morse wrote of Nassau Hall at Princeton, New Jersey, The view from the college balcony is extensive and charming.

Detail of Nassau Hall at Princeton, New Jersey in 1764.

Abigail Adams, the wife of John Adams, wrote in 1790, of Bush Hill in Philadelphia, Pennsylvania, A variety of fine fields of wheat and grass are in front of the house, and, on the right hand, a pretty view of the Schuylkill presents itself.

William Hamilton's Bush Hill in Philadelphia

Around 1734, the Penn family gave attorney Andrew Hamilton land in payment for legal services. In 1740, he built Bush Hill on the property. Vice President John Adams and his wife lived in the house in 1790 & 1791. During Philadelphia's yellow fever epidemic of 1793, a quarantine hospital was set up in the mansion.

Fairmount Park, Philadelphia. August Köllner, Bush Hill and Cholera Hospital.

When Moreau de St. Mery visited the New York in the 1790s, he wrote, In America almost everything is sacrificed to the outside view...The elevated situation of these country residences, in addition to being healthy, gives them the advantage of a charming view which includes New York and the nearby islands, principally Governor's Island, and is constantly enlivened by the passing of the boats which ply on both rivers.

In 1793, Rev. John Spooner described David Meade's Maycox in Prince George's County, Virginia, These grounds contain about twelve acres, laid out on the banks of the James river...which open as many pleasing views of the river. Rev. John Jones Spooner's papers are at the College of William & Mary Swem Library showing his election to the American Academy of Arts & Sciences, and his installation as minister to Martins Brandon Parish, Prince George County, Virginia.

David Meade's terraced gardens sat directly across the river from the terraced gardens of Westover, almost a mirror image of two landscapes divided by the river with its walled riverwalk. The houses were about a mile apart. The view from either house would have been beautiful.

Thomas Birch, Southeast View of “Sedgeley Park,” the Country Seat of James Cowles Fisher, Esq., about 1819.

Sedgley Park was built in 1799, near Philadelphia, by merchant William Cramond. It was one of the earliest Gothic influenced houses in America. A contemporary remarked "The natural advantages of Sedgley Park are not frequently equalled, even upon the banks of the Schuylkill. From the height upon which the mansion is erected it commands an interesting and extensive view. The scenery around is of unusual beauty, but its character is altogether peaceful and quiet."

In 1808, William Birch wrote of John Penn's Solitude in Philadelphia, Pennsylvania, The flower garden was distant from the house, reached by a circuitous path which took in as many as possible of the best points of view.

Solitude in Fairmount Park in Philadelphia.

Solitude was built as a quiet retreat on the west bank of the Schulykill River. The most English of the country seats built along the river, Solitude was built by John Penn, "the poet," a grandson of William Penn, the founder of Pennsylvania. Today it is in the center of the Philadelphia Zoo, where it serves as administrative headquarters.

William Birch, "Solitude in Pennsylvana. Belonging to Mr. Penn." 1809.

Elbridge Gerry described the White House in Washington D. C. in 1813, A door opens at each end, one into the hall, and opposite, one into the terrace from whence you have an elegant view of all the rivers.

1803 White House [View from Blodgett's Hotel to the White House.] by Nicholas King in the Huntington Library, San Marino, California.

History Blooms at Monticello - Duchesse de Nemours Peony

Duchesse de Nemours Peony (Paeonia lactiflora cv.)

Both European and Asian peonies have been cultivated since ancient times. Those native to central China and Siberia (varieties of Paeonia lactiflora) were first introduced to the West by the 18th century and by 1784 breeding with the European peony was occurring in France and Britain. Because peonies are such long-lived plants, many 19th-century cultivars are still available. 

Thomas Jefferson noted “Piony” in a list of hardy perennials as early as 1771. The extremely fragrant and unusual ‘Duchesse de Nemours’ was introduced by 1856, although some believe it was earlier. Joseph Breck described it as “quite a novelty” in 1851. Peonies are deer resistant, and their flowers attract butterflies.

For more information & the possible availability for purchase

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Garden Design - Trees-Avenues & Rows of Trees

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1767. Detail. Charles Willson Peale (1741-1827) miniature of the home of Dr. Henry Stevenson. Baltimore, Maryland. Maryland Historical Society. See more complete image below.

By the mid-18th-century, plantation owners up & down the Atlantic Coast often employed larger avenues of trees as well as their smaller alleys when designing their gardens and grounds. Garden planners designed avenues as wide, straight roadways approaching plantation houses or public buildings lined with single or double rows of trees and often cutting through a lawn of grass. They often used rows of trees spreading from the side of the house outward into the landscape to draw the eye toward the dwelling; to separate the entrance facade from the more private rear garden and work yards; and to form a living wall.

The word avenue had expanded to include any broad roadway bordered or marked by trees or other objects at regular intervals.

English garden writers had referred to avenues, while colonization of America was just a twinkle in the eye of the mother country. John Evelyn wrote disapprovingly in his diary in the summer 1654, "The avenue was ungraceful." In 1664, he advised, "That this may yet be no prejudice to the meaner capacities let them read for avenue, the principal walk to the front of the house, or seat." 

English garden reformer John Worlidge wrote in his 1669 Systema Agriculturæ of, "Avenues, Ways or Passages, or Rows or Walks of Trees."

Planners left avenues wide enough for a horse or carriage to pass, and some were much wider with many being the width of the house. Avenues leading to the entrance facade of a dwelling were wider than subsidiary intersecting ones and often were wide enough that the entire facade of the house was visible from the far end.

Often a 200' long avenue was about 14-15' wide, a 600' avenue was about 30-36' wide, and a 1200' long avenue was about 42-48' wide. Gardeners occasionally manipulated the perspective of even these broad avenues as well, so that the apparent size of an avenue was lengthened by gradually narrowing the width of the avenue towards the far end.

In Williamsburg, Virginia, William Byrd noted in 1733, "This famous town consists of Col. Spotswood's enchanted castle...There had also been a chapel about a bow-shot from the colonel's house, at the end of an avenue of cherry trees."

In the Virginia Council Journal it was recorded on December 15, 1737, for Williamsburg, Ordered that there be paid to Mr Philip Finch the sum of ten pounds for laying and planting the Avenue to the Governors House.

In May, 1743, Eliza Lucas Pinckney wrote from Charleston, "I...cant say one word on the other seats I saw in this ramble, except the Count's large double row of Oaks on each side of the Avenue that leads to the house--which seemed designed by nature for pious meditation and friendly converse."

Growing an avenue of trees took special planning and many years. Often the avenue of trees was planted years before the house was built on the property. On June 18, 1753, William Murray wrote to John Murray Esquire of Murraywhaithe in Charleston, "By all means mention the fine Improvements of your garden & the fine avenues you've raised near the spot where you'r to build your new house."

Often, avenues extended into the countryside & terminated with impressive vistas. In 1762 Hannah Callender wrote of William Peters’ Belmont near Philadelphia, “A broad walk of English cherry trees leads down to the river….One avenue gives a fine prospect of the city…Another avenue looks to the obelisk.” Avenues of cherry trees were common on plantations in Pennsylvania at that time.

Twenty years later, commercial nurserymen promoted grown trees for sale to the Charleston public. On January 1, 1778, an advertisement in the South Carolina and American General Gazette offered, "For sale...Magnolia or Laurels fit for Avenues...any height from three feet to twenty."

Schoolmaster Philip Vickers Fithian wrote in his journal in 1773 of Nomini Hall in Virginia, Due east of the Great House are two Rows of tall, flourishing, beautiful, Poplars...these Rows are something wider than the House & are about 300 yards Long...These Rows of Poplars form an extremely pleasant avenue, & at the Road, through them, the House appears most romantic.

George Mason's son John described Gunston Hall in Virginia, From the front entrance...there was...an avenue of cherry trees, reaching to the gate...On the north front by which was the principal approach, was an extensive lawn kept closely pastured, through the midst of which ran a spacious avenue, girded by long double ranges of that hardy and stagely cherry tree, the common black-heart, raised from stone, and so the more fair and uniform in their growth, commencing at about two hundred feet from the house and extending thence for about twelve hundred feet; the carriage way being in the centre, and the footways on either side between the two rows, forming each a double range of trees, and under their shade....But what was remarkable and most imposing to be so aligned as to counteract the deception in our vision which in looking down long parallel lines makes them seem to approach as they recede; advantage was taken of the circumstance and another very pleasant delusion was effected. A common centre was established exactly in the middle of the outer doorway of the mansion on that front from which were made to diverge at a certain angle the four line son which these trees were planted, the plantation not commencing but at a considerable distance therefrom (about 200 ft...) and so carefully and accurately had they been planted, and trained and dressed in accordance with each other, as they progressed in their growth, that form the point described as taken for the common centre, and when they had got to a great size only the first four trees were visible...And in truth to the eye placed at only about two feet to the right or left of the first position there was presented as if by magic four long and apparently close walls of wood made up of the bodies of trees and above as many of rich foliage constituted by their boughs stretching as seemed to an immeasurable distance.

Bernard M'Mahon wrote in 1806, Straight rows of the most beautiful trees, forming long avenues ...were in great estimation, considered as great ornaments, and no considerable estate and eminent pleasure-ground were without several of them.

See: The Recollections of John Mason: George Mason's Son Remembers His Father and Life at Gunston Hall (2003, Terry K. Dunn, ed., EPM Publications, Marshall, Va.). 

Plants in Early American Gardens - Bee Balm (for Oswego & Earl Gray Tea)

Bee Balm (Monarda didyma)

This vigorous native perennial was recognized as a desirable ornamental and kitchen garden plant by the early 18th century, and seed was sent by John Bartram to England in 1744. It was reported that by 1760 there was “plenty in covent garden market” in London. 

Early American settlers, especially the Shakers in upstate New York, made a tea from the leaves, hence the name Oswego tea, which is now Earl Gray. Bernard McMahon listed “Crimson Monarda” in his 1804 broadside, and bee balm was cited as a garden worthy plant by many 19th century American garden writers, including A. J. Downing, Peter Henderson, Joseph Breck, and Robert Buist. Deer tend to avoid this plant’s fragrant foliage.

For more information & the possible availability for purchase

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Garden Design - Trees-Bower

In an 18th century pleasure ground or garden, a bower was a shelter or covered place in a garden, overarched with branches of trees, shrubs, or other plants. A bower made with boughs of trees or vines bent and twined together served as a shady recess from the sun.

William Shakespeare referred to a 1596 bower in 1 Henry IV, "Ditties...Sung by a faire Queene in a Summers Bowre."

In 1667, John Milton wrote, "Where the unpierc't shade Imbound the noontide Bowrs."
Richard Bradley warned in his Dictionary in 1727, "Care must be had that you do not confound the Word Bower with Arbour, because the first is always built long and arch'd, whereas the second is either round or square at Bottom, and has a sort of Dome or Ceiling at the Top."

In 1776, while traveling in western North Carolina and perhaps a little homesick, William Bartram wrote of "companies of young, innocent Cherokee virgins, some busily gathering the rich fragrant fruit, others having already filled their baskets, lay reclined under the shade of floriferous and fragrant native bowers of Magnolia, Azalea, Philadelphus, perfumed Calycanthus, sweet Yellow Jessamine and cerulian Glycine frutescens."

In the new republic of the United States of America in 1787, Manasseh Cutler described Gray's Garden near Philadelphia, Pennsylvania, "At every end, side, and corner, there were summer-houses, arbors covered with vines or flowers or shady bowers encircled with trees and flowering shrubs, each of which was formed in a different taste."

The Viginia Argus advertised a house for sale in the summer of 1799, in Bowling Green, Virginia:
"Valuable Property FOR SALE at the Bowling Green, near Richmond, that much frequented Tavern and public Garden...The garden is very extensive...with Summer Houses, and bowers for the accomodation of company."

When planning the landscaping for Monticello in 1804, Thomas Jefferson declared, "The kitchen garden is not the place for ornaments...bowers and treillages suit that better."

In his 1806 Gardener's Calendar, Philadelphian Bernard M'Mahon described where to place buildings in the garden, "Various light ornamental buildings and erections are introduced as ornaments to particular departments; such as temples, bowers, banqueting houses...and other edifices ...usually erected...in openings between the division of the ground, and contiguous to the terminations of grand walks."

In Salem, North Carolina, Juliana Margaret Conner descriped an 1827 visit to the Moravian community, "Afterwards walked into the garden...we saw what I conceived to be a curiosity and in itself extremely beautiful. It was a large summer house formed of eight cedar trees planted in a circle, the tops whilst young were chained together in the center forming a cone. The immense brances were all cut, so that there was not a leaf, the outside is beautifully trimmed perfectly even and very thick within, were seats placed around and doors or openings were cut, through the branches, it had been planted 40 years."

Garden to Table - Home-Made Two Cowslip Wines (or Virginia Bluebells)

 

John Greenwood (American artist, 1727-1792) Sea Captains Carousing, 1758.  Detail

Old-Time Recipes for Home Made Wines Cordials & Liqueurs 1909 by Helen S. Wright

COWSLIP WINE
To three gallons of water put seven pounds of sugar; stir it well together, and beat the whites of ten eggs very well, and mix with the liquor, and make it boil as fast as possible. Skim it well, and let it continue boiling two hours; then strain it through a hair sieve, and set it a cooling, and when it is cold as wort should be, put a small quantity of yeast to it on a toast, or in a dish. Let it stand all night working; then bruise one-half peck of cowslips, put them into your vessel, and your liquor upon them, adding three ounces of syrup of lemons. Cut a turf of grass and lay on the bung; let it stand a fortnight, and then bottle it. Put your tap into your vessel before you put your wine in, that you may not shake it.

COWSLIP OR CLARY WINE, NO. 2
The best method of making these wines is to put in the pips dry, when the fermentation of the wine has subsided. This method is preferred for two reasons: first, it may be performed at any time of the year when lemons are cheapest, and when other wine is making; second, all waste of the pips is avoided. Being light, they are sure to work over if put in the cask while the wine is in a state of fermentation. Boil fourteen pounds of good moist sugar with five gallons of water, and one ounce of hops. Shave thin the rinds of eight lemons or Seville oranges, or part of each; they must be put in the boil the last quarter of an hour, or the boiling liquor poured over them. Squeeze the juice to be added when cool, and rinse the pulp in the hot liquor, and keep it filled up, either with wine or new beer, as long as it works over; then paste brown paper, and leave it for four, six, or eight months. The quantity of flowers is one quart of flowers to each gallon of wine. Let them be gathered on a fine, dry day, and carefully picked from every bit of stalk and green. Spread them thinly on trays, sheets, or papers, and turn them often. When thoroughly dry put them in paper bags, until the wine is ready to receive them. Put them in at the bung-hole; stir them down two or three times a day, till all the cowslips have sunk; at the same time add isinglass. Then paste over again with paper. In six months the wine will be fit to bottle, but will be improved by keeping longer in the cask. The pips shrink into a very small compass in drying; the quantity allowed is of fresh-gathered flowers. Observe, also, that wine well boiled, and refined with hops and isinglass, is just as good used from the cask as if bottled, which is a great saving of time and hazard. Wine made on the above principles has been often praised by connoisseurs, and supposed to have been bottled half a day. 

Old-Time Recipes for Home Made Wines is a cookbook for those who want to make their own wines & liqueurs from available ingredients, including fruits, flowers, vegetables, & shrubs from local gardens, farms, & orchards. It includes ingredients & instructions for making & fermenting spirits, from wine & ale to sherry, brandy, cordials, & even beer. 

Colonial Era Cookbooks

1615, New Booke of Cookerie, John Murrell (London) 

1798, American Cookery, Amelia Simmons (Hartford, CT)

1803, Frugal Housewife, Susannah Carter (New York, NY)

1807, A New System of Domestic Cookery, Maria Eliza Rundell (Boston, MA)

1808, New England Cookery, Lucy Emerson (Montpelier, VT)

Helpful Secondary Sources

America's Founding Food: The Story of New England Cooking/Keith Stavely and Kathleen Fitzgerald Chapel Hill : University of North Carolina Press, 2004.

Colonial Kitchens, Their Furnishings, and Their Gardens/Frances Phipps Hawthorn; 1972

Early American Beverages/John Hull Brown   Rutland, Vt., C. E. Tuttle Co 1996 

Early American Herb Recipes/Alice Cooke Brown  ABC-CLIO  Westport, United States

Food in Colonial and Federal America/Sandra L. Oliver

Home Life in Colonial Days/Alice Morse Earle (Chapter VII: Meat and Drink) New York : Macmillan Co., ©1926.

A Revolution in Eating: How the Quest for Food Shaped America/James E. McWilliams New York : Columbia University Press, 2005.

Plants in Early American Gardens - Virginia Bluebells or Mountain Cowslips

Virginia Bluebells (Mertensia virginica)

On April 16, 1766, in one of his earliest observations in his Garden Book, Thomas Jefferson noted, “the bluish colored, funnel-formed flower in the low grounds in bloom.” Also called Virginia or mountain cowslip and Roanoke bells in the 18th century, this is one of our most desirable native perennial flowers. It was introduced to Britain by 1700 and Williamsburg’s John Custis sent roots to his patron Peter Collinson in the 1730s. It is easy to grow in most shady gardens and the emerging tufts of blue-green foliage are a harbinger of spring. Do not allow dormant roots to dry out.

For more information & the possible availability for purchase

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Plants in Early American Gardens - Feathered Hyacinth

Feathered Hyacinth (Muscari comosum 'Plumosum')

Feathered Hyacinth, which is native to the Mediterranean region, has been in cultivation since 1612. Jefferson noted it blooming on April 25, 1767 at his boyhood home, Shadwell. Philadelphia nurseryman Bernard McMahon forwarded bulbs to Jefferson in 1812 for planting along the flower borders at Monticello. Today the Tassel Hyacinth (Muscari comosum), the species form, is naturalized throughout the gardens and south orchard at Monticello.

For more information & the possible availability for purchase

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Plants in Early American Gardens - Rose Geranium

Rose Geranium (Pelargonium graveolens)

The P. graveolens species, native to southern Africa, was introduced to England in 1774 and has long been used to produce geranium oil. At least eight species of sweet-scented geraniums were introduced to America from southern Africa between 1770 and 1820. Rose, nutmeg, and oak-leaf geraniums were among the earliest imports. Jean Skipwith of Prestwould in Mecklenburg County, Virginia, listed “rose geranium” among her houseplants in papers that have been dated between 1785 and 1805. This geranium lends a lovely rose scent to potpourri and the edible leaves can be used in jams, jellies, cakes, puddings and more.

For more information & the possible availability for purchase

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Garden History - Trees-Grove

A grove is a small woods or cluster of trees either occuring naturally & intentionally left in the landscape or purposefully planted in the pleasure grounds around a dwelling in the 18th century. Often a grove consisted of large trees whose branches shaded the ground below affoding shade or forming avenues or walks. Groves produced food attracting songbirds to delight visitors.

Some groves of trees were planted for remembrance honoring a passed friend or relative. Groves were often seen as solemn, whether intentionally planted as a memorial or not.

Eliza Lucas Pinckney wrote in a letter in 1742, from Charleston, South Carolina, "You may wonder how I could in this gay season think of planting a Cedar grove, which rather reflects an Autumnal gloom and solemnity than the freshness and gayty of spring. But so it is...I intend then to connect in my grove the solemnity (not the solidity) of summer or autumn with the cheerfulness and pleasures of spring, for it shall be filled with all kind of flowers, as well wild as Garden flowers, with seats of Camomoil and here and there a fruit tree--oranges, nectrons, Plumbs."

In June of 1743, Isaac Norris II at Fairhill near Philadelphia, Pennsylvania, was planning on, "...opening my woods into groves, enlarging my fishponds and beautifying my springs."

A 1761 house-for-sale ad in the Pennsylvania Gazette touted, "A small Grove of Pine Trees before the Garden, from which you are entertained with a most beautiful Prospect of the City of Philadelphia, and of the River, for 4 or 5 Miles downwards; so that no Ship can pass or repass, but by hailing her. you may easily know from whence she came, or wither she is going."

George Ogilivie wrote of the 1770s grounds at Alexander Garden's Otranto near Charleston, South Carolina,
"There midst the grove, with unassuming guise
But rural neatness, see the mansion rise!"

At the beginning of the American Revolution, General George Washington wrote a letter in August 19 1776, to Lund Washington, who remained at his home Mount Vernon in Virginia, "I mean to have groves of Trees at each end of the dwelling House ...these Trees to be Planted without any order to regularity (but pretty thick, as they can at any time be thin'd) and to consist that at the North end, of locusts altogether. and that at the South, of all the clever kind of Trees (especially flowering ones) that can be got, such as Crab apple, Poplar, Dogwood, Sasafras, Laurel, Willow...to be interspersed here and there with every greens such as Holly, Pine, and Cedar, also Ivy; to these may be added the Wild flowering Shrubs of the larger kind, such as the fringe Trees."

Washington was back at Mount Vernon, after the war had concluded and before he assumed the presidency. In March of 1785, he wrote in his diary, "Transplanted in the groves at the ends of the House...9 live Oak, 11 Yew or Hemlock, 10 Aspen, 4 Magnolia, 2 Elm, 2 Papaw, 2 Lilacs, 3 Fringe, 1 Swamp berry."

Reverend Manasseh Cutler wrote in 1787 of the trees on the mall in Philadelphia, "The trees are yet small, but most judiciously arranged. The...small groves in the squares have a most delightful effect."

Abigail Adams, wife of John Adams, wrote in 1790 of the grounds at Bush Hill in Philadelphia, Pennsylvania, "A beautiful grove behind the house, through which there is a spacious gravel walk, guarded by a number of marble statues."

When visiting the Moravian settlement of Salem, North Carolina in May of 1791, William Loughton Smith noted, "The church yard is on a hill above the town, surrounded by shady groves."

In 1791, Rev. William Bentley wrote of the garden of Joseph Barrell, a Boston merchant, "His garden is beyond any example I have seen. A young grove is growing the background, in the middle of which is a pond, decorated with four ships at anchor, and a marble figure in the centre."

George Washington's tree plantings had grown enough by 1796, that Benjamin Henry Latrobe wrote of them on his visit to Mount Vernon, Virginia, "The house becomes visible between two groves of trees at about a mile's distance." Just after George Washington's death, Mount Vernon was described in the Pennsylvania Gazette in 1800. "On either wing is a thick grove of different flowering forest trees. Parallel with them, on the land side, are two spacious gardens, into which one is led by two serpentine gravel walks, planted with weeping willows and shady shrubs."

In 1798, Timothy Dwight wrote of Boston, Massachusettes, "Boston, enjoys a superiority to all other great towns on this continent...the gardening superior to what is found in most other places; the orchards, groves, and forests, numerous and thrifty."

In a house for sale ad in the Federal Gazette in 1800, the grounds of Adrian Valeck's country seat in Baltimore, Maryland, were described, "Behind the garden in a grove and shrubbery or bosquet planted with a great variety of the finest forest trees, oderiferous & other flowering shrubs etc."

When Manasseh Cutler visited the Woodlands in Philadelphia, Pennsylvania, in November of 1803, he wrote, "We then walked over the pleasure grounds...lawns of green grass, frequently mowed, and at different distances numerous copse of trees, interspersed with artificial groves, which are of trees collected from all parts of the world."
Grove of Trees at Monticello.

In 1803, Alexander Hamilton's garden contained, "A few dogwood trees, not large, scattered along the margin of the grove would be very pleasant."

In 1807, Thomas Jefferson made notes for his Virginia home of Monticello, "The canvas at large must be a Grove, of the largest trees, (poplar, oak, elm, maple, ash, hickory, chestnut, Linden, Weymouth pine, sycamore) trimmed very high, so as to give the appearance of open ground, yet not so far apart but that they may cover the ground with close shade."

Artist Charles Willson Peale wrote to his son Rembrandt Peale in 1810 from Philadelphia, Pennsylvania, "I am often pleased with the solemn groves skirting my meadows in majestic silence and cool appearance."

New Yorker John Nicholson emphasized the practical use of a grove in The Farmer's Assistant in 1820, "These are both ornamental and useful. To plant heights of ground, the sides and tops of which are generally not very good for tillage or pasture, adds much to the beauty of a landscape; and is at the same time highly useful, as it regards the quantities of firewood which may be produced from such spots...Sugarmaple-trees, planted round the borders of meadows, and some straggling ones in them, are very pleasant and profitable, as they do no injury to the growth of the grass. Wherever trees can be planted in pastures and along fences, without doing injury to the growths of the adjoining fields by their shade, this part of rural economy ought never to be omited."

Plants in Early American Gardens - French Lavender

French Lavender (Lavandula stoechas)

French or Spanish Lavender (also once known as Stickadove Lavender) is native to the Mediterranean coastline of Europe. British herbalist John Gerard noted in 1633 that the apothecaries used it as a cure for headaches and chest colds and he recommended that the plants be protected during winter or put into pots or tubs and brought indoors. In fact, north of Zone 8, this lavender species should be maintained in an unheated room or porch during the winter months. Jefferson cultivated the hardier English Lavender (Lavandula angustifolia).

For more information & the possible availability for purchase

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Reading in the Garden

1720 Anne Pollard. Anonymous colonial era American Limner.  The background of this painting is so dark, I cannot tell if she is inside or outside, perhaps in one of those dark storms.

1750 Joseph Badger (American Colonial Era artist, 1798-1765) Mrs. Nathaniel Brown (Anna Porter Brown)

1750-1760 Joseph Badger (American Colonial Era artist, 1798-1765)Mrs. John Edwards (Abigail Fowle)

1755 Benjamin West (American colonial era artist, 1738-1820). Mrs George Ross Anne Lawler

1764 John Singleton Copley (American Colonial Era artist, 1738-1815) detail Mary Greene Mrs Dan Hubbard

1764 John Singleton Copley (American Colonial Era artist, 1738-1815) Sarah Prince Gill

1767 James Claypoole, Jr. (American Colonial Era artist, 1743-1814) Ann Galloway Mrs Joseph Pemberton

1789 Ralph Earl (American artist, 1751-1801) Esther Boardman

1793 James Peale (American artist, 1749-1831) Ramsey Polk Family in Cecil County MD

1798 William Clarke (American painter, fl. 1785-1806) ) Mrs William Frazer  (Mary Reah) (1783-1816) of Delaware

Plants in Early American Gardens - Pheasant's Eye Daffodil

Pheasant's Eye Daffodil (Narcissus poeticus var. recurvus)

This species of daffodil grows wild in mountain meadows from France into Greece. It has been grown in Britain since Roman times and in this country since the 1600s. Though various forms were illustrated in seventeenth-century British herbals, the variety recurvus, or old Pheasant’s Eye, was not known until the early 1800s. Pheasant’s Eye is a late-blooming daffodil that naturalizes well in lawns and meadows.

For more information & the possible availability for purchase

Contact The Tho Jefferson Center for Historic Plants or The Shop at Monticello 

Primary Source - 1734 Gardener Dead

Philadelphia, July 11. The Weather has been so excessive hot for a Week past, that a great Number of People have fainted and fallen into Convulsions, and several have died...Tuesday one Jacob Lee, a Gardiner, being overcome with the Heat as he was at work clipping of a Hedge, fell down and expired soon after.

Pennsylvania Gazette

July 11, 1734.

Plants in Early American Gardens - Bare Root Sourwood

Bare Root Sourwood (Oxydendrum arboreum)

This very attractive native tree normally grows on slopes and ridges and along the edges of forests. It is common in woodlands from Pennsylvania southward through the mountains into western Florida and west into Louisiana, Tennessee, and Indiana. Also known as lily-of-the-valley tree, its flowers are extremely attractive to bees, and sourwood honey is a specialty in regions where the tree is common. Sourwood was introduced into cultivation by the 1750s and illustrated by North American plant explorer and botanist Mark Catesby. Philip Miller first successfully grew it in the Chelsea Physic Garden in London. Known in the 18th century as Andromeda arborea, Thomas Jefferson requested that plants of this species be sent to him in Paris while he was serving as Minister to France: twice in 1786, and again in 1788, specifically for his friend, Madame de Tessé.

For more information & the possible availability for purchase

Contact The Tho Jefferson Center for Historic Plants or The Shop at Monticello 

Garden History - Design - Lakes

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Baltimore Country Seat Druid Hill by Francis Guy

Just south of Brooklyn and overlooking the river is a small chain of hills, on which are the country houses of many wealthy New Yorkers. Its proximity to New York leads New Yorkers to rent the houses and send their families there during the hot season. The men go to New York in the morning, and return to Brooklyn after the Stock Exchange closes. "The elevated situation of these country residences, in addition to being healthy, gives them the advantage of a charming view which includes New York and the nearby islands, principally Governor's Island, and is constantly enlivened by the passing of the boats which ply on both rivers.

Photo of Druid Hill Later in the 19th Century

Because Druid Hill did not sit directly on the harbor basin in Baltimore, an artificial lake was built on the grounds. Gentry sometimes created a man-made body of water in their pleasure grounds near their dwelling affording recreation, food, ice, and beauty.

In 1806, Rosalie Steir Calvert wrote to her father in Europe from her estate Riversdale in Prince George's County, Maryland. She had been consulting with architect artist William Birch about the design of their grounds.

Birch drew us a plan for the grounds. He thinks an artificial lake would be better on the south of the house than on the north, since the terrain is better adapted and it would be easier to make there.

Two years later she wrote to her father, Lake just finished, which looks like a large river on the southern side, gives a very beautiful effect and furnishes us at the same time with fish and ice for our ice-house.

Garden History - Ornaments - Statue

GARDEN STATUES

Surpisingly, garden statues appeared early in the British American colonies and became even more popular in the early republic. Statues stood in the gardens of the gentry and later in the century at public pleasure gardens, where patrons from all levels of society could enjoy their beauty and symbolism. And occasionally, craftsmen and artisans embellished the grounds around their house with statues as well.

One of England's earliest garden commentators, Francis Bacon, took a dim view of garden statues. Francis Bacon, (1561-1626), English philosopher, statesman, scientist, lawyer, jurist, & author, wrote in his 1625 Essayes or Counsels, Civill and Morall in the essay entitled Of Gardens. His essay coincided with the new North American settlements along the Atlantic coast.

Bacon felt that statues added nothing to a real garden except, perhaps, pretense. He wrote, "but it is nothing for great princes, that for the most part, taking advice with workmen, with no less cost set their things together, and sometimes add statues and such things, for state and magnificence, but nothing to the true pleasure of a Garden."

As early as 1718, Judge Sewall in Boston, Massachusettes, complained that, "Quickly after the wind rose to a prodigious height...It blew down the southernmost of my cherubim's heads at the Street Gates." And three years later in 1721, he regretfully reported, "Took down the northwardly cherubim's head, the other being blown down...I suppose ther have stood there near thirty years."

Around 1750, artist William Dering painted young George Booth in Virginia with statues flanking the young man and at the end of the walkway in the distance. Although these are certainly fanciful statues, it is not known if they were really in the landscape at that time. Unfortunately these details are from reproductions of these portraits, so visiting the museum is the only way to really evaluate each painting.

In 1754, New England preacher Ezra Stiles reported that Andrew and James Hamilton's Bush Hill in Philadelphia, Pennsylvania had a "very elegant garden, in which are 7 statues in fine Italian marble curiously wrot." Perhaps curiously wrot is the key phrase, because a year later, when Daniel Fisher visited the same garden, he reported that "It (did not) contain anything that was curious...a few very ordinary statues. A shady walk of high trees leading from the further end of the Garden looked well enough; but the Grass above knee high, thin and spoiling for the want of the Sythe." In 1790, when Abigail Adams visited Bush Hill in Philadelphia, she noted, "A beautiful grove behind the house, through which there is a spacious gravel walk, guarded by a number of marble statues, whose genealogy I have not yet studied." Charles Willson Peale painted these statues in his portrait of Mrs Robert Morris in the 1780s.

In 1760, William Williams portrayed Deborah Richmond in a garden with statues. An illustration of this painting is in the section of this blog describing garden alcoves.

Hannah Callender visited William Peters' garden at Belmont in 1762, near Philadelphia, Pennsylvania. She noted, "On the right you enter a labyrinth of hedge of low cedar and spruce. In the middle stands a statue of Apollo. In the garden are statues of Diana, Fame and Mercury with urns."

Around 1767, John Singleton Copley painted a fountain statue in Rebecca Boylston's portrait. Copley was known to use English prints as models for his work. And in 1783, he painted John Adams with a garden statue as well.

By 1772, statues of Roman gods Venus, Apollo, and Bacchus graced John Custis' garden in Virginia. Nearby in 1774, while visiting John Tayloe's garden in Mount Airy, Virginia, a young schoolmaster reported, "He has also a large well formed, beautiful Garden, as fine in every Respect as any I have seen in Virginia. In it stand four large beautiful Marble Statues."

Charles Willson Peale painted statues in several of his portraits. His 1770 portrait of John Beale Bordley and his 1772 painting of William Paca both pictured prominent statues not mentioned elsewhere in period records.

While statues sat in the middle of green squares, or flanked garden walks or sat on garden gates, others found more exotic positions. In 1791, Reverand William Bentley visited the garden of Boston merchant Joseph Barrell. "His garden is beyond any example I have soon. A young grove is growing in the background, in the middle of which is a pond, decorated with four ships at anchor, and a marble figure in the centre...The Squares are decorated with Marble figures as large as life." More modest statues began appearing in craftsmen's gardens as well. In 1795, in Annapolis, Maryland, silversmith William Faris noted, "In the evening Cut the Sage by the Statue."

Garden statues produced by both Amerian and European artists became more widely available in the last years of the 18th century. In 1796, Philadelphia newspaper advertised, "To be sold...Six elegant carved figures, the manufacture of an artist is this country, and made from materials of clay dug near the city, they are used for ornaments for gardens, or ballustrades, at the tops of houses or manels in the parlour, they are well burned and will stand any weather without being injured. and the represent Mars, and Minerva, Paris and Helen, A Male and Female Gardner."

By the end of the century, American gentry were coming up with ingenious places to place their ornamental statues. Many statues made it from garden to housetop roof. Margaret and Gerard Briscoe placed full sized statues perched on marble pedestals at the end of each row of apple trees in their orchard at Clover Dale in Frederick County, Maryland. Artist Charles Peale Polk painted her proudly seated before a view of her orchard with statues in 1799.

In 1801, Timothy Dexter placed statues around the wall of his house as well as on its roof in Newburyport, Massachusettes.
Garden statues were gaining in visibility in the early republic as owners of public pleasure gardens began reflecting the ideals and heros of the new nation as icons in their gardens. In 1798, at the Columbia Gardens in New York City, a visitor reported, "I have been to...the Columbia gardens...placed all around were marble busts, beautiful figures of Diana, Cupid and Venus." And soon other garden owners followed suit. A newspaper advertisement for the Mount Vernon Gardens in New York City boasted in 1800, "lately imported from Europe...nineteen statues...Socrates, Cicero, Cleopatra, Shakespeare, Milton...the illustrious and immortal Washington...and miscellaneous figures from Greek mythology."

Five years later, Vauxhall Gardens in New York City advertised, "procured from Europe a choice selection of Statues and Busts, mostly from the first models of Antiquity, and worthy the attention of Amateurs...Washington, Cicero, Ajax, Antonious (in two poses, Hannibla, the Belvidere Apollo (in four sizes), Venus, Hebe (in two poses), Hamilton, Demostenes, Plenty, Hercules, Time, Ceres, Security, Modesty, Addison, Cleopatra (in two poses), Niobe, Pompey in two poses, Pope, The Medici Apollo, and Thalia."

The public settings of these gardens occasionally invited mischief. In the same year, in Charleston, South Carolina, the Botanic Garden offered, "One Hundred Dollars Reward. On Thursday Evening last, after sun-set, some evil minded person, taking advantage of the Gardener's absence, knocked at the Gate, and on being admitted treated the servant insolently for not admitting him sooner; he went directly to the Statue of Mercury, which was standing in the middle of the Garden, and threw it down, by which means it is entirely destroyed. The man was well dressed."

Maryland's Revolutionary War officer John Eager Howard's home Belvedere on a hill in Baltimore, was noted for its magnificent gardens graced with statues, much as the gardens at the papal Belvedere of Julius II boasted statues during the Italian Renaissance.

In 1802, Eliza Southgate visited Hasket Derby in Salem, Massachusettes, and dramatically reported, "From the lower gate you have a fine perspective view of the whole range, rising gradually until the sight is terminated by a hermitage...The hermitage...was scarcely perceptible at a distance; a large weeping willow swept the roof with its brances and bespoke the melancholy inhabitant. We caught a view of the little hut as we advanced thro' the opening of the trees; it was covered with bark; a small low door, slightly latched immediately opened at our touch; a venerable old man [stone statue] was seated in the center with a prayer book in one hand while the other supported his cheek, and rested on an old table which, like the hermit, seemed moulding to decay...a tattered coverlet was spread over a bed of straw...I left him impressed with veneration and fear which the mystery of his situation seemed to create."
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